Wednesday, October 30, 2013

Write...Edit...Publish: Haunting


Denise Covey is hosting Write...Edit...Publish, a monthly bloghop (details here). October's theme is "haunting" and my humble submission is offered below.  My story is 946 words long.  Please respond with comments only.  Be sure to visit the other participants as well.  The link list is at the end of my post.

 
All Saints’ Day

            Damn it!  The living room light was still on.  Somebody was awake.  Probably Mom.  After yelling at me for missing curfew, she’d pepper me with questions:  Why are you late?  Who were you with?  Were his parents there?  You’re telling me they don’t have a phone?  Who drove you home anyway?

            Please, Mom, no questions tonight.

            I’d walked home from the Halloween party, fighting that hyperventilating hiccup a boy gets when he’s trying not to cry.  Yes, I’d stayed later than I should have, hoping to talk to her if only for a few minutes.  Why the hell did she want to be with that jerk instead of me?  I missed my ride home waiting so long.  I had to walk.

            I opened the door quietly – not entirely sure why.  Judgment and sentencing had likely already been passed.  A surprise waited in the armchair facing the door: Dad.  My father staying up past 9 o’clock was never a good sign.  I bet he’d had that hard, cold paternal stare locked and loaded from the moment he heard my feet come up the path.  As soon as the door swung open, he was ready to fire.

            But then he saw me and knew the torture I was already imposing upon myself.  His face of granite softened to leather, the corners of his mouth dropping. He turned to stare at the rug.  I was more lost than ever.  Finally rising but still not looking, he pointed to the couch.  “Have a seat, son.”

            Instead of sitting back down himself, he made for the kitchen.  I heard the fridge door, the clink of glass from the cupboard, the pouring of liquid, the fridge again.  He returned with a tumbler of milk, setting it down on a coaster beside me.   We sat quietly for a while, both of us staring at the rug, I taking the occasional sip.  When I was half done, he stood, putting a hand on my shoulder.

            “Go to bed.  We’ll talk in the morning.”  He went upstairs and I was alone.  He didn’t even ask what was wrong.

            Thank God, he didn’t ask!

            Seven the next morning brought a knock on my door.  Dad poked his head around, softly commanding, “Get some clothes on.  We’re going for a walk.” 

So, was this my punishment? Forced to get out of bed before noon on a Saturday?  Or was this just the interrogation?  Trudging to the kitchen, Dad was pouring coffee into thermal mugs for both of us.  I don’t think he asked if I wanted any, or if I even liked the stuff.  Handing me one, he reminded, “It’s chilly.  You’ll want a coat.”

The sun was starting to pull itself up over the horizon as we left the house.  There certainly was a nip in the air, the cool damp of an autumn morning.  We walked in silence, heading towards the school.  Decorations were still up.  A few jack-o-lanterns had suffered the brutality of teenagers overnight, smashed to pulpy orange bits on the sidewalk.  One house had been TP’d, another egged, judging from the smell.  Pressed, I could probably name the culprits.  No longer cute enough to beg for candy, they resorted to the last privilege of childhood left to them: making a mess for someone else to clean up.

Upon arriving at our expected destination, we sat on a bench facing out across the school’s parking lot.  I knew why Dad liked this spot.  In a neighborhood dominated by oaks and beeches, a single maple tree stood across from the front door of the school.  Every fall, it would blaze a deep, satisfying red against all of the yellows and oranges around it.  Dad loved that tree.  As we sat quietly, he stared at the fallen leaves pooling on the ground.

I dreaded the questions.  Please Dad, don’t make me talk about her.  Don’t make me relive my humiliation.  Yell at me.  Ground me.  But please don’t make me talk.  I don’t want to cry in front of you.

“You know, it scares the shit out of us when you’re not home on time.”

At this, I finally looked up at him.  His gaze was still on the leaves.  I saw the circles under his eyes, his unshaved chin.  I don’t think he’d even brushed his hair yet.  He hadn’t slept any better than I had. 

And when did he start going gray around the temples?

When he lifted his gaze to me, it was my turn to stare at the leaves.  “Things happen to kids your age, son.  We worry.”

I didn’t know what to say.

“Next time, give us a call so we’ll at least know you’re safe.  Okay?”

“Okay.”

“And if something happens and you need a ride, call us.  We’ll come get you.  There’s no shame in wanting to get home in one piece.”

We both knew that’s not what had happened but I acquiesced with a nod.

Looking at each other was still too hard.  We sat, sipping our coffee, shivering from the occasional breeze, light spreading in pink streaks across the sky.

“ I know you had a rough night and I’m sorry.  I don’t need to know why.”  Then reluctantly, “unless you want to tell me.”  We both knew I didn’t.  I almost laughed.  Now he was embarrassed? “But next time, at least call.”

“Okay, Dad.  I’m sorry, too.”  I really meant it.  I didn’t always do such a great job of living up to that promise in the following years but that morning on the bench across from the maple tree, I definitely meant it.

It really was a spectacular tree.


Copyright 2013

*******************
I hope you will consider joining the Cephalopod Coffeehouse, my bloggers' book club.  Please sign on to the link list at the top right of my blog, where there is also a link to more details.

Once again, comments only please.




Star Trek: The Menagerie, Part I

Episode: "The Menagerie, Part I"
Series: Star Trek: The Original Series
Season 1, Episode 11
Original Air Date: November 17, 1966
via Wikipedia

"The Menagerie" was the only two-part episode of Star Trek's original series.  Roddenberry created the episode as a cost- and time-saving measure.  Consistently falling behind in the production schedule, Roddenberry hatched a plan to throw together two episodes on the cheap while also recycling material from the original, unused pilot, "The Cage" (reflection here).  "The Menagerie" incorporates footage from "The Cage" in a new adventure.  However, this new story is a lot more than just a convenient contrivance.  It is one of two original series episodes to win the Hugo Award for Best Dramatic Presentation.  As it is a two-parter, I will wait to comment on the narrative until I've watched the second half.  I will say that it is shaping up to be the first truly great Spock story.

*****
via Wikipedia

Malachi Throne (Commodore Jose I. Mendez) was born December 1, 1928 in New York City.  A successful stage actor, most of his high-profile television work was in guest starring roles.  In addition to two different Trek series (original and The Next Generation), Thorne appeared in Batman, Lost in Space, Mission: Impossible and The Six Million Dollar Man among others.  An interesting twist for Thorne in this particular episode: he'd also been featured in "The Cage" as the voice of the Keeper.  For "The Menagerie," the voice was electronically altered so as not to match Mendez's.

Sunday, October 27, 2013

Family Movie Night: The Lion King

Title: The Lion King
Directors: Rob Minkoff, Roger Allers
Original Release: 1994
Choice: Our Girl's
My Overall Rating: 3 stars out of 5
via Wikipedia

The Lion King is the highest-grossing hand-drawn animated film of all-time.  I did not know that until this weekend.  I suppose it's easy to understand.  The visuals are absolutely breathtaking.  Some of the artists traveled to Hell's Gate National Park in Kenya for research on the setting.  Our Girl chose this one because she watched part of it at her after-school program and wanted to see the rest.

The story, very loosely based on Shakespeare's Hamlet, is... okay. Simba is a lion cub, heir to his father Mufasa, king of the pride.  A jealous uncle, Scar, contrives to kill Mufasa and take the throne himself.  While Scar had hoped to knock off Simba at the same time, the cub survives and Scar convinces him to run away in fear of being blamed for his father's death.  Simba takes up with a meerkat and a warthog in a life of leisure and anonymity.  However, Nala, an old friend, finds him and brings him back to challenge Scar and claim the throne.



The film's score is composed by Hans Zimmer but the real musical star of the show is Elton John, who wrote the songs, lyrics by Tim Rice.  Confession: I love Elton John.  I know he's been much parodied over the years - by himself as much as by anyone else - but he and his lyricist Bernie Taupin certainly have to be considered one of the great song writing teams in the history of popular music.  The songs I like best I love for the lyrics so maybe it's Taupin I really like.  Still, no one on earth makes a simple chord change sound as impressive as Elton John does.  The Lion King songs are good but they rank far below the duo's best work from the '70s.  Here's my favorite, a song which expresses my own feelings about New York perfectly:



The movie's fun, though definitely better for kids than for adults.  When I asked how she liked it, Our Girl got that dreamy look in her eye.  I expect this one will come around again in the rotation.

Saturday, October 26, 2013

The Cephalopod Coffeehouse: November Blog List


Greetings to all!  I hope you'll join us for the next installment of the Cephalopod Coffeehouse, an online gathering of bloggers who love books.  The next meeting is set for Friday, November 29th.  If you're interested, please sign on to the link list at the end of this post.

And please do sign on if you intend to participate.  In October, I stumbled upon two Coffeehouse posts I didn't even know about during my regular blogosphere wanderings.  For me, having the links all in one place makes the whole affair feel friendlier - you know, like a coffeehouse.  If you forget, I understand, but if the technology is giving you trouble, please let me know.  I'm happy to add your link for you.

The idea is simple: on the last Friday of each month, post about the best book you've finished over the past month while visiting other bloggers doing the same.  In this way, we'll all have the opportunity to share our thoughts with other enthusiastic readers.  Please join us:


Friday, October 25, 2013

The Cephalopod Coffeehouse: October 2013

Welcome one and all to the Cephalopod Coffeehouse, a cozy gathering of book lovers, meeting to discuss their thoughts regarding the tomes they enjoyed most over the previous month.  Pull up a chair, order your cappuccino and join in the fun.  If you wish to add your own review to the conversation, please sign on to the link list at the end of my post.

Title: Marble Season
Writer and Artist: Gilbert Hernandez
via drawn and quarterly

Gilbert Hernandez is one of the biggest names in indie comics.  Brothers Gilbert and Jaime Hernandez created the groundbreaking series Love and Rockets, first published in 1982 - groundbreaking in part because it focused on Latina characters and in part because it was initially self-published.  I have yet to explore that series but this more recent semi-autobiographical graphic novel has me convinced that I should.

Set in 1960s southern California, Marble Season chronicles the adventures of childhood.  Huey - the young Gilberto in fictional guise - is the second youngest in a large family.  No surprise, he likes comic books.  In fact, there's nothing particularly unusual about Huey's life - which is sort of the point.  Marble Season is an honest glimpse of what it is to be a kid.  He has friends, though not always the same ones.  Some move in to the neighborhood, then move away.  Others drift in and out, fueling particular interests, fulfilling certain needs.

The downside of youth is here, too.  There are full-blown bullies in the neighborhood along with the petty cruelties children everywhere inflict upon one another.  Huey and his brothers must be wary of sketchier friends. 

The biggest changes come as they all get older.  The neighborhood tomboy ditches her baseball bat and cap for a dress (though she's still far from demure).  The brothers all gradually take more interest in girls.

There is some clear Peanuts influence in Marble Season.  One never sees any adults, though it's clear they're important.  The afore mentioned tomboy has quite a lot of Lucy in her.  Hernandez was also a big fan of the Archie comics growing up and has always sought to bring a similar teenager sensibility to his work.

If you're keen for more bloghops, a couple of fun ones are coming up next week: Denise Covey's Write...Edit...Publish on Wednesday and Tony Laplume's Ode-Athon.  Go check them out!

Please join us and share your own review of your best read from the past month.  This month's link list is below.  I'll keep it open until the end of the day.  I'll post November's tomorrow.  Meetings are the last Friday of each month.  Next gathering is November 29th.  In the United States, that's the day after Thanksgiving so it may well be a quieter month at the Coffeehouse.  On the other hand, a short vacation provides a chance to catch up on reading!

  

Wednesday, October 23, 2013

Star Trek: The Corbomite Maneuver

Episode: "The Corbomite Maneuver"
Series: Star Trek: The Original Series
Season 1, Episode 10
Original Air Date: November 10, 1966
via Memory Alpha

Since beginning this project, I've wondered what it is that works so well for this show.  Nearly half a century after the first aired episode, Star Trek remains a vital force in popular culture.  Trek was cancelled after only three seasons but is far better remembered than the more successful programs of its era.  The acting is stilted.  The stories are frequently hokey and formulaic.  And yet few programs in the history of American television have a legacy worth comparing.  I won't deny it.  I love it, too.  But why?!!!

Strength of characters?  Check.  Solid world (in this case, galaxy) building?  Certainly.  The same could be said for other shows.  What's so special about this one?  I think an episode like "The Corbomite Maneuver" offers a clue.

The Enterprise crew find themselves in a jam: they get on the wrong side of Balok, commander of an alien vessel who takes issue with the fact that our heroes destroyed his marker buoy.  Apparently, the offense is so severe that the Enterprise must be destroyed.  Testy!  Through cleverness, Captain Kirk & Co. wiggle their way out of harm, but leaving Balok's ship marooned, too far from the mother ship to even call for rescue.  And so, the inevitable dilemma: do our friends scamper off or stick around to help?

For Spock, the obvious, rational choice is get away while the gettin's good.  For Kirk, the higher purpose, "to seek out new life and new civilizations" takes precedent.  The risk of boarding a hostile ship is outweighed by their responsibility as galactic citizens.  A rescue party beams to Balok's ship and...

The writer (in this case, Jerry Sohl) completely drops the ball with the whole Clint Howard thing.  Oh well.

While set in the distant future, Star Trek is a product of its own era.  The mid-sixties were interesting times in American society.  The Civil Rights Act had passed.  The Vietnam War raged.  By 1966, the counterculture was getting noisier.  NASA was preparing to go to the Moon.  The message from Gene Roddenberry and his disciples was an important one: if we're serious about space exploration, we'd darn well better get our own act together first.  Mind you, Roddenberry was no hippy.  As an ex-cop and decorated war vet, he was well acquainted with the world's darker side.  His galactic future for humankind was predicated on moral advancement as well as technological.  Yes, we were going to venture to the stars.  We were also going to be better people once we got there.

That, I believe, is why Star Trek works.  It's certainly a big part of why it works for me.

*****
via Memory Alpha

Matt Jefferies (art director) was born Walter Matthew Jefferies on August 12, 1921 in Lebanon, Pennsylvania.  He served in the Second World War as a bomber pilot, just part of a lifelong love affair with aviation.  Jefferies designed both the interior and exterior of the Enterprise, along with numerous other props and sets.  He served as art director for several other iconic television shows, including Mission: Impossible, Little House on the Prairie and Dallas.  Jefferies died July 21, 2003 of congestive heart failure.

via Trek Core

Sunday, October 20, 2013

Family Movie Night: Fiddler on the Roof

Title: Fiddler on the Roof
Director: Norman Jewison
Original Release: 1971
Choice: My Wife's
My Overall Rating: 4 stars out of 5
via Wikipedia

All of us seem to be getting in on the movie musical game these days.  However, anyone who has seen Fiddler knows that it's a lot more than just a showcase for catchy ditties.  The story itself is a simple one. Tevye, a Jewish dairyman in Tsarist Russia, shares his life troubles, primarily the marrying off of his five daughters when he and his wife cannot afford much of a dowry for any of them.  Meanwhile, the world around their small village of Anatevka is closing in around them, challenging the very foundations of their way of life - a sad truth which repeats itself eternally through human history.

Regular visitors to The Squid may have caught on to the fact that I'm very picky when it comes to musicals. I tend to put them into two categories: those which have strong music and those which have a strong story.  My Fair Lady would fit in the former category, Singin' in the Rain the latter.  There's  only one I feel is equally strong in both: West Side Story, the best of the best.  The power of Fiddler is the story.  I like the music well enough, especially the songs which are most faithful to the Eastern European Jewish tradition.  But Fiddler is the movie that it is for the story.  One cannot watch without falling in love with Tevye, his family and his community.  The injustices committed against them are felt by us all.  From the perspective of history, we all know life is only going to get a lot worse for the Jews in the Ukraine.  The end of the movie is entirely predictable and thoroughly heartbreaking.

This was a new portion of world history for our daughter.  Halfway through the movie, we took a break for dinner preparation and I brought her over to our world map to explain about the Jewish diaspora and the pogroms in Russia.  I think she got the general idea, at least enough to understand what was happening for the rest of the film.  She says she enjoyed the movie.  This one might be interesting to revisit in a few years after she learns more about the history.

It's a heavy story, but there's plenty of light, too.  My favorite scene:



The bottle dance is pretty awesome, too: