Star Trek: Rise

Episode: "Rise"

Series: Star Trek: Voyager

Season 3, Episode 19

Original Air Date: February 26, 1997

via Memory Alpha

Always happy to make nice with the locals while they're passing through, the Voyager crew are helping protect a Nezu colony from an asteroid bombardment.  But there's something fishy going on.  The ship's torpedoes should be obliterating the asteroids and yet fragments are still making it to the planet surface.  A Nezu scientist reports that the asteroids appear to be artificial.  Our friends send down three shuttles on a rescue mission including one led by Tuvok and Neelix.  They are forced to make an emergency landing and that's where the real fun begins.

"Rise" explores the difficult relationship between Tuvok and Neelix.  It's well established by this point in the series that Neelix drives Tuvok crazy.  Neelix is impulsive, moody, gregarious and seemingly unserious: everything that a logical Vulcan abhors.  Now here they are, in a situation in which they absolutely have to work together in order to survive.  For perhaps the first time, Neelix proves his value - as well as the value of his own particular strengths - to the Lieutenant.  It's a big deal.

The story is based on the 1965 film, The Flight of the Phoenix.

Acting Notes

via Wikipedia

Alan Oppenheimer played the role of a Nezu ambassador.  It was his third of three Trek appearances on three different series.  Oppenheimer was born in New York City, April 23, 1930.

Television work includes appearances on Hogan's Heroes, Get Smart and Happy Days.  Film credits include Westworld and the narrator in The NeverEnding Story.  He had an extensive voice acting career, beginning in the 1970s.  He worked on several Filmation shows, including Flash Gordon, Ghostbusters and The Smurfs and yet, interestingly, never Trek's animated series.

On the Road: Montreal 2026

My wife and I went to Montreal for a few days last week to celebrate our wedding anniversary.  As we did last year, we stayed in Vieux-Montreal (Old Montreal), not far from the Basilica.  Our approach was different this year from previous trips.  All of the sights and restaurants we visited were within walking distance of the hotel - didn't take a subway or a cab anywhere.  And while we did do some sightseeing, we also spent significant time relaxing in either a bar or our room with a World Cup game on.  I suggested it was because we're getting older.  My wife thinks it's more that our relationship with Montreal has changed.  Whichever it is, the change is a pleasant one.  I've long believed the ideal vacation is one where you can feel happy doing things or doing nothing.  Mission accomplished.

A couple of our most enjoyable spots...

Chapelle Notre-Dame-de-Bons-Secours (Our Lady of Good Help), a sailors' chapel dating back to 1771:

PHI, a multi-building art museum.  In addition to the visual art, we also enjoyed a listening room experience featuring John Coltrane's masterpiece, A Love Supreme.  From Paula Pivi's exhibition, Come check it out. Lies lies lies:

We also visited the Château Ramezay, an old governor's mansion which has become a private museum telling the story of the city's history... from a deeply white perspective.  In fact, when we got home, we told the kid where we'd gone with the "deeply white" description and they knew the place exactly.  They'd gone once on a field trip.  

As an example, I provide the following caption excerpt:

With the same initiative as the merchants, missionaries arrived in Canada with the earliest settlers.  They mastered the native languages and recorded the native traditions that they aimed to modify.  The "Black Robes" settled among the Hurons in 1634 where they strove to integrate the Amerindians into the French and Catholic culture.  Some native groups reacted adversely and several missionaries were martyred.

Word choice matters.  Martyred.  It's pretty obvious who the sympathetic protagonists are in this particular telling of the tale.

Let's be clear.  Indigenous people have always been correct to push back against European encroachment.  The end result was genocide.  As for the Huron mentioned above, two thirds of the population were wiped out by European diseases.  And that was just the beginning.

It's time for a new telling of North American history.  Or rather, the story has been told over and over again.  White people need to start listening more and believing more.

Yes, I know the MAGA fuckers have pushed hard against such "woke" thinking and the effort to bury our nation's darker truths has, unfortunately, been largely successful recently.  But that's all delusional bullshit.

Fact: the nation we call the United States of America was built on genocide - multiple genocides, African and indigenous.  You can "believe" otherwise all you want but it doesn't change reality.  Is it too late to change the past?  Yes.  But it's not too late to build a better future and that starts with acknowledging the harm done, both past AND present.  Canada has done a better job in recent years than we have but as Château Ramezay demonstrates, there's still a lot of work to do - and undo.

My thinking about such matters may have an impact on travels moving forward.  Stay tuned.

Overall, our Montreal visit was very nice.  We'll be back, I'm sure, though our increased comfort and familiarity have me wondering if it's time to explore someplace new.  Ottawa isn't far...

Star Trek: Doctor Bashir, I Presume

Episode: "Doctor Bashir, I Presume"

Series: Star Trek: Deep Space Nine

Season 5, Episode 16

Original Air Date: February 24, 1997

via Memory Alpha

Robert Picardo guest stars as both Dr. Lewis Zimmerman and the Emergency Medical Hologram he created in his own likeness.  The scientist is designing a new and improved medical hologram and wishes to use the handsome and talented Dr. Bashir as the model.  To do the job, Zimmerman requires intimate knowledge of Julian's psyche, including a deep probe of his past.  To this end, Zimmerman invites our doctor's parents to the station for interviews, against Julian's explicit wishes.  In an accidental slip up, Mom and Dad reveal a dark secret: Julian was illegally genetically enhanced as a young child.

Meanwhile, Zimmerman takes a shine to Leeta, forcing Rom out of his shyness to confess his love for her.  Fortunately, she loves him, too, and DS9's happiest and healthiest romance is finally realized.

I have mixed feelings about the Genetically Enhanced Julian storyline.  In the writers' ongoing need to make the character more interesting, I think they went a bit too far with this one.  He's superhuman?  That doesn't make him more likable.  Contrast his with Rom's arc.  We root like hell for Quark's little brother.  At this point, Rom is one of the strongest recurring characters and for DS9, that's saying quite a lot.  The writers didn't change Rom.  They simply put him in circumstances where he'd best be able to shine.  With Bashir, they try too hard.  And so does Julian.  In my defense, the development came as a late surprise for actor Alexander Siddig and he wasn't too happy about it initially either.

But postgaming the episode with our child brought new perspective for me...

They feel the augmentation plotline has parallels with nonconsensual genital surgeries performed on intersex children.  Julian didn't have a choice in undergoing the procedure.  In fact, he didn't even fully understand what had been done to him until later.  The same is true for infants born with non-conforming genitals.  In both cases, the parents have made what is essentially a cosmetic choice motivated by the long-term well-being of the child.

I think it's hard to fault the parents in either case.  We all want what's best for our kids and will go to great lengths to ensure their well-being.  But where is the limit?  For the Trek universe, there's a legal limit regarding genetic enhancement.  Regarding intersex children, parents have all the power, though the medical establishment certainly has influence in the matter.

It's an interesting question - the sort of question Trek should be encouraging all of us to ponder.

One fun note: Fadwa El Guindi (Amsha Bashir) was not a professional actor at all.  At the time, she was an anthropology professor at UCLA.  A casting agent discovered her at a community theater performance and El Guindi auditioned for Trek on a whim.  The episode is her only on-screen acting credit.

Acting Notes

via Wikipedia

Chase Masterson (Leeta) was born Christianne Carafano in Colorado Springs, February 26, 1963.  She graduated from the University of Texas with a BFA.  She made 17 appearances as Leeta on DS9 plus a voice appearance on Lower Decks.  The television resume also includes guest appearances on General Hospital, Sliders and ER.  Her film Yesterday Was a Lie earned her a Best Feature Film Producer award at the LA Femme Film Festival in 2008.

Squid Eats: Donwoori

As I have written before, I adore Korean food.  Long ago, when I was living in Yokohama, there was a Korean barbecue place in my neighborhood.  I couldn't go as often as I would like because unlike most Japanese restaurants, I had no shot at reading the menu - all kanji (characters), no kana (syllabary).  No pictures on the menu or plastic models in the window.  I had to go with someone who knew what they were doing.  But it was always worth the wait - the sort of place where your clothes would smell like your dinner for the rest of the night, and that was a wonderful thing.

For whatever reason, Korean food hasn't caught on in the US the way Chinese, Japanese, Thai, Indian or Vietnamese food has.  But now there's a dedicated Korean restaurant in Winooski, Vermont and that is wonderful.

Donwoori has an extensive menu.  We ordered green bean fries and fried oysters to start.  For entrees, I got Korean fried chicken with hot Gochujang sauce.  My wife got stir-fry udon with bulgogi beef.  The kid got curry udon with chicken katsu.  All were satisfying.  It's the sort of place I can imagine ordering something different each visit and being happy.  Service was friendly and decor pleasantly modern.  

Overall, Donwoori is a wonderful addition to Vermont's food scene.  I certainly hope we'll be back.

Star Trek: Darkling

Episode: "Darkling"

Series: Star Trek: Voyager

Season 3, Episode 18

Original Air Date: February 19, 1997

via Memory Alpha

In an effort to improve his bedside manner, the Doctor selects famously compassionate historical figures - Byron, Ghandi, Socrates, T'Pau - to incorporate into his programming.  Meanwhile, Kes is falling in love with a trader, Zahir, who offers to take her on grand adventures - away from Voyager.  Unfortunately, the good doctor fails to account for the fact that he would take on his heroes' flaws along with their strengths.  Two separate, competing personalities emerge in a Jekyll and Hyde tale.  The evil one eventually puts both Torres and Kes in grave peril.

Robert Picardo really acts the snot out of this one.  As with Brent Spiner (Data), there is danger in letting Picardo out of the box.  We see a lot of "look at me, I'm meeeeeean" from ol' Bob here.  And I have to admit, I really wanted to watch B'Elanna kick his ass for pawing her.  Perhaps another time...

Kes will be leaving the show soon.  I'll leave discussion of the particulars until the moment arrives but "Darkling" makes me wonder how far ahead of time the creative staff was at least aware of the possibility.  The writers painted themselves into a corner from the beginning with Kes's expected life span and in this episode, she suggests to Janeway for the first time that she may not want to spend the rest of her short life on Voyager.  And just as importantly, Janeway responds quite reasonably.  After all, Kes isn't Starfleet or Maquis.  She's along for the journey by choice and she's certainly earning her keep as the doctor's assistant.  There's no reason she shouldn't be free to go whenever she pleases.

Fortunately, not just yet.  At this point, I would say Tuvok has overtaken both the Doctor and Kes as the most interesting character but Kes is still comfortably Top 3.

Acting Notes

via Memory Alpha

David Lee Smith (Zahir) was born in Birmingham, Alabama, September 8, 1963.  Films include The Man from Earth, Mysterious Skin and A Walk to Remember.  Television work includes Savannah, The Naked Truth and CSI: Miami.  

Squid Perks: Raktajino

Raktajino is Klingon coffee, particularly popular on Star Trek's Deep Space Nine, both the station and the series.  The canon doesn't provide much guidance as to flavor beyond that it's Klingon-strong but, of course, there are numerous recipes online.  I adapted the one at AF's Amazing Food Blog, which incorporates cinnamon, cardamom and allspice.  For the "extra strong coffee," I used espresso and I mixed in the ground spices pre-brewing.  I did not use AF's recommended sugar as we don't really put sugar in coffee at home.

The result was quite pleasant.  The spices add dimension.  It doesn't have the wow flavor kick I was hoping for and I'm not sure what would bring that.  The optional black pepper in the recipe would certainly supply heat but honestly, I'm not a black pepper fan.  Some recipes add alcohol - AF suggests rum, cognac or coffee liqueur.  I doubt that would add much flavor.  I'd just want to go back to bed.

The most important question is whether we prefer raktajino to Captain Picard's beloved Earl Gray tea.  We're planning a Star Trek-themed brunch for Father's Day.  The Purple Penguin and I both prefer the rak.  My wife doesn't care.  So raktajino, it is.  Maybe we'll have a clever idea for making it stronger by Sunday...

Star Trek: By Inferno's Light

Episode: "By Inferno's Light"

Series: Star Trek: Deep Space Nine

Season 5, Episode 15

Original Air Date: February 17, 1997

via Memory Alpha

Garak episode!

The basics: picking up where the last episode left off, Worf, Garak, Bashir and Martok all manage to escape from the Dominion Internment Camp while the gang back at the station fend off a Dominion invasion with some help from both the Klingons and the Romulans.  There's so much more going on in this extraordinary episode.  Where do you even start?

• The Cardassians, under Gul Dukat's leadership, have cut a deal to become part of the Dominion.
• The prison escape is probably the best narrative in the episode and it is two-pronged.  Garak must contend with his own claustrophobia in rigging the camp's shields to allow the prisoners to transfer back to the runabout, which the Jem'Hadar rather carelessly left in orbit nearby.  Evidently, Andrew Robinson is genuinely a bit phobic and was also sick with the flu so much of his on-screen anxiety was real.  Even so, his is a Patrick Stewart-level man-on-the-edge-of-madness performance.
• Worf is "forced" into fighting each of the guards in turn, satisfying his own lust for battle as well as creating a distraction so Garak can do his thing.  He defeats them all, of course - well, nearly all of them.
• Finally, Worf takes on Ikat'Ika, the First at the camp.  By this point, Worf has earned deep respect from the guards and we also get a glimpse of the guards' disdain for their Vorta superiors.  This ultimate match ends with a memorable line from Ikat'Ika.  He is clearly in the superior position, though Worf refuses to concede: "I yield!  I cannot defeat this Klingon.  All I can do is kill him and that no longer holds my interest."  Wow.
• Garak's story is based on the 1963 film, The Great Escape.
• Meanwhile, back at the station, the impostor Bashir is discovered but almost too late.  He gets away in a runabout and nearly detonates a bomb in the Bajoran sun.  But he is destroyed first.
• Evidently, the rest of the Dominion invasion wasn't real.
• Upon returning to the station, Garak gets a girlfriend!

Seriously, there's a lot going on here.  I'm always amazed by Seinfeld's ability to cram so much material into a 22-minute episode.  Granted, DS9 had twice the time to work with here but even so, it's impressive.

Acting Notes

via Memory Alpha

Ray Buktenica played the role of Deyos, the Vorta Commander of the Internment Camp.  Buktenica was born in New York City, August 6, 1943.  Most of his work has been on television, including a recurring role on Rhoda, one of three spin-offs of The Mary Tyler Moore Show, the most neglected contender in the GOAT sitcom debates.  He also had a principal role on House Calls and a recurring role on Life Goes On.  The big screen resume is relatively modest in length but he's been in some high-profile films, including My Girl, Heat and Shopgirl.

Squid Mixes: Cosmonaut

A Cosmonaut, invented by Sasha Petraske, combines gin, lemon juice and raspberry preserves.  I got my recipe from 3-Ingredient Cocktails by Robert Simonson.  It was intended as a spoof on the Cosmopolitan.  As you can see, it's deeply pink so maybe also a nod to the Soviet communists?  Or is it a pun?  Cosmo-not?  Both?

The first flavor hit for me was jelly doughnut, undoubtedly from the raspberry jam.  Once my taste buds adjusted, though, the sweetness was less potent.  The lemon brings out the natural tartness of the berries.  

Star Trek: Unity

Episode: "Unity"

Series: Star Trek: Voyager

Season 3, Episode 17

Original Air Date: February 12, 1997

via Memory Alpha

During a shuttle mission, Chakotay and his pilot, Ensign Kaplan, respond to a distress call - and doesn't that always lead to trouble?  When they land on the planet of the signal's origin, they are almost immediately attacked.  Chakotay is knocked unconscious.  When he comes to, the woman attending him is human, and a former Starfleet officer at that.  Soon, it becomes apparent that she and the rest of her community are dis-assimilated Borg drones.  They help Chakotay - indeed, they save his life.  But they also need help from him, and the particular assistance required is a tough sell for Captain Janeway.

"Unity" provides an early glimpse of Voyager's most important story - I mean, apart from the obviously overarching long journey home.  With the Hugh arc, NextGen raised important questions regarding the Borg: is it possible to separate a drone from the collective and what would be the consequences of doing so?  Apart from the series premier, DS9 has mostly ignored the Borg in favor of other fruitful narrative paths.  But soon, Voyager will explore these questions in depth via the character Seven of Nine.

It's difficult for me to look past my own eager anticipation of stories to come and judge "Unity" on its own merits.  That said, I think the episode is genuinely important for revealing to Chakotay the power and the seductiveness of the collective.  As part of his healing, he is joined with them and the experience of total connection is overwhelming.  And beautiful.  Yes, they manipulate him for selfish gain.  But then they leave him alone and it's obvious he regrets that a little.

I also think it relates thematically with Captain Sisko's experience in "Rapture."  The stories are separate, of course, and quite different from each other.  But the power of connection is common to both.  I think of where we are as a society nearly 30 years later.  Many have theorized that Trumpism is a result of too many young men, in particular, feeling disconnected from... everything.  Feeling a part of something larger than oneself: is it a universal human need?  Generations of psychologists and sociologists have asserted that it is.  Both "Unity" and "Rapture" support the thinking.

Acting Notes

via Wikipedia

Lori Hallier played the role of Dr. Riley Frazier, the former Starfleet officer turned Borg drone turned separated drone.  Hallier was born in Victoria, British Columbia, July 8, 1959.  She studied theatre at the University of Victoria, ultimately graduating from the National Theatre School in Montreal.

Hallier's films include My Bloody Valentine, Warning Sign and My Name Is Tanino.  On television, she had recurring roles on Days of Our Lives and Santa Barbara and guest roles on The Dukes of Hazzard, Jake and the Fatman and Matlock.  

Squid Flicks: History Is Made at Night

Title: History Is Made at Night

Director: Frank Borzage

Original Release Date: March 27, 1937

My Overall Rating: 3 stars out of 5

via Wikipedia

Irene Vail (Jean Arthur) is desperate to leave her jealous and manipulative husband, the millionaire Bruce Vail (Colin Clive).  Bruce concocts a sordid scheme to frame his, to this point, faithful wife as an adulterer in order to prevent her from divorcing him.  All goes wrong when Paul Dumond (Charles Boyer), head waiter at the Chateau Bleu, rescues Irene and, naturally, the two of them fall in love.  It's quite a convoluted setup for a story that leads across the Atlantic and back again, reaching its climax when the ocean liner Irene and Paul are on hits an iceberg.  The ship is the Princess Irene, owned by Bruce Vail and named for his wife.

You take a step back and it's an absolutely ridiculous story.  Best not to think about it too hard.  Just enjoy the romp.

And it is fun.  Arthur and Boyer are both charming and Clive is great as the slimy villain.  Leo Carillo is delightful as Paul's sidekick, the chef Cesare.

From a filmmaking perspective, the most interesting part is the ship crashing into the iceberg.  I imagine the collision itself was accomplished with miniatures.  The most realistic element was the huge blocks of ice falling onto the deck - impressive by 1937 standards.

The basic romance - a terrible man usurped by a handsome charmer - is not entirely unlike the one in 1997's Titanic.  I have found no reference to a direct link between the two ship-meets-iceberg films but the similarity is intriguing, nonetheless.

Star Trek: In Purgatory's Shadow

Episode: "In Purgatory's Shadow"

Series: Star Trek: Deep Space Nine

Season 5, Episode 14

Original Air Date: February 10, 1997

via Memory Alpha

Garak episode!

Garak receives an encoded message from Enabran Tain, his old spymaster - surprising since Tain was presumed dead.  Garak and Worf head off in a runabout to the Gamma Quadrant to investigate.  They are captured and placed in a seemingly inescapable interment camp, conveniently the same one as Tain.  And the real General Martok.  And - what's this? - Julian Bashir.

There are many important reveals in this episode, the first of a two-part story.  Most importantly, we learn that the being on Deep Space 9 we had all believed to be Dr. Julian Bashir is, in fact, a Changeling imposter.  Nearly as shocking, if not quite as impactful on the broader narrative, we learn that Tain is not just Garak's mentor.  He's his father.

This week's story ends with a massive Dominion fleet passing through the wormhole.  It would seem the long-anticipated war is about to become a reality.

No one told Alexander Siddig that his character had been taken over by a shapeshifter until the beginning of filming for "In Purgatory's Shadow."  It was a sensible creative decision in order to preserve the deception.  Those who put more thought into these things than I do theorize that the Changeling must have replaced Bashir sometime before "Rapture," four episodes ago.

Ziyal is back.  Before Garak leaves on his crazy adventure, Ziyal confesses deep affection for him, much to her father's horror.  Dukat tries to get her to leave the station, partly to avoid the war and partly to get her away from Garak.  She refuses, standing up to his overbearing attempt at control.  Go, Ziyal!

Acting Notes

via WikiSein

Melanie Smith was the third and final actor to play the part of Ziyal.  "In Purgatory's Shadow" is her first of six appearances.  Smith was born in Scranton, Pennsylvania, December 16, 1962.  Before DS9, she'd had a principal role as Emily Stewart on five seasons of As the World Turns and had played Jerry's girlfriend Rachel Goldstein for three episodes of Seinfeld.  Films include Trancers III, Molly & Gina and Night Hunters.  

On the Coffee Table: The Hernandez Brothers

Title: Love and Rockets

- Human Diastrophism

- Perla la Loca

- Beyond Palomar

- Amor y Cohetes

- Penny Century

- Esperanza

- Luba and Her Family

Writers and artists: Gil, Jaime and Mario Hernandez

Since my last post about the series in August, I've gone on a deep dive with Love and Rockets, powering through seven more trades.  For the most part, each volume is devoted entirely either to Jaime Hernandez's Locas world or Gil Hernandez's Palomar, though few of those are actually set in Palomar anymore, much of the family having moved to Los Angeles.  The exception is Amor y Cohotes which includes unrelated material from each of the two main creators, plus a few stories from brother Mario.  

I won't pretend that over several hundred pages, all of the material is great.  But when Love and Rockets is good, it is astonishingly good.  The greatest strength throughout is the seemingly effortless intimacy.  A few thoughts on specific volumes:

Human Diastrophism

via Amazon

Palomar stories.  The residents suffer through a serial killer and an earthquake.  For the reader, it's rough when terrible things happen to a community you care about.  Kids grow up too fast as decades often pass in just a few pages.  The most interesting story follows Pipo - interesting because the tale told in the images is independent of the one told in the text.

Perla la Loca

via Amazon

Maggie and Hopey start out in Hoppers (LA) but ultimately wind up on separate cross-country adventures.  Loads of wrestling in this one.

Beyond Palomar

This one moves way too fast for me.  Quite a lot of time passes from one panel to the next and it's hard to keep track of it all.  This is also the book where, as the title suggest, the characters start to move away from Palomar to the US.  When they finally do make it back, it feels like coming home for me, too.

Amor y Cohetes

via Amazon

This one is a collection of shorter pieces.  My love for the series relies on absorption and I couldn't get into most of the material here.  However, AyC does include a truly excellent biography of artist Frida Kahlo with images based on her work.

Penny Century

Back to Locas.  One of the most important through stories of L&R is the on-and-off-again love affair between Maggie and Hopey.  They're rarely actually dating.  In fact, they're both usually with other people.  But they still hook up with each other seemingly every chance they get and clearly, it's not just about sex.  There is a potent love between them.

However, it's not exactly equal.  Hopey is the more attached (though also the less dependable) of the two.  At one point in this volume, she muses about the nature of the relationship, basically acknowledging that it's all pretty messed up but in the end, she'll take what she can get from Maggie.  

I've heard people say this in the real world, too.  In effect, they'll take all of the dysfunction over being alone.  Honestly, I've never understood that attitude.  But here, I kind of understand it.  Hopey knows they can never have anything normal.  But she's in love with Maggie.  She doesn't really have a choice.  If it's the mess or nothing, she'll take the mess.

It's still unhealthy.  But I kind of get it.

More wrestling.  

Esperanza

via Amazon

Still with Locas.  Esperanza is Hopey's given name.  Esperanza, of course, is the Spanish word for hope.

The truth is, it's nearly impossible not to fall in love with Maggie.  Most of the other characters do at one point or another.  I kinda did, too.  She's not perfect - far from it.  But she's believable, accessible, vulnerable, unassuming.  Her reflections on her divorce - from a marriage that never even seemed to be especially important to her - comprise my favorite story in the entire series.  

We're also reminded that she's still a kickass mechanic.

And still more wrestling.

Luba and Her Family

via Amazon

Much of this collection is told from the viewpoint of the precocious Venus, Luba's niece, as she writes letters to her cousin back in Palomar.  Venus, probably about 10 years old, is hilarious and her insights into her family are keen.  However, her perspective is far from omniscient.  There's quite a lot of sex going on among the adults, including her own mother's extra-marital affairs.

In my previous post, I proclaimed Palomar to be the superior of the two main worlds.  I've since changed my mind.  Those stories are still good but for me, they lose something after the family moves to the States.  Meanwhile, Maggie and Hopey always draw me back.

I've still got two more trades on my shelves and there are two more beyond that in this series.  At this point, I see no reason not to read all of them.

Squid Mixes: Empress Aviation

I last posted about the Aviation cocktail about five years ago (see here).  I first posted about Empress Gin, dyed indigo with butterfly pea flower, about three years ago (see here).  When my wife recently requested an Aviation (a drink she's been ordering a lot at restaurants lately), I thought to put them together in order to enhance the purple color.  While Empress Gin has a recipe of their own on the company website, I chose to stick with the recipe in David Lebovitz's Drinking French in order to maintain flavor balance (and not cut out the creme de violette altogether).  

As I hope you can see in the photos, my latest attempt is definitely more purple than my 2021 effort.

2026

2021

However, they're still not as dark as the ones The Playwright made for us back in 2016.

2016

Sadly, he's not around anymore to ask but my guess is that he swapped the 2:1 proportion between the maraschino liqueur and the creme de violette in favor of the latter.  I may try that next time.  My wife has also suggested that his were more bitter which could bring greater flavor balance.

Star Trek: Blood Fever

Episode: "Blood Fever"

Series: Star Trek: Voyager

Season 3, Episode 16

Original Air Date: February 5, 1997

via Memory Alpha

Ensign Vorik attacks B'Elanna Torres.  He is suffering through the pon farr, an intense Vulcan hormonal episode which crops up every seven years.  Torres, in turn, starts exhibiting the same symptoms, a la rabies.  She turns her own attention to Tom Paris.  The episode is, in many ways, an homage to the original series's "Amok Time."

There's a lot of ickiness here.  Consent is evidently not a major concern for a Vulcan experiencing pon farr and Vorik is too easily forgiven for his attack.  There is also a problematic perspective on non-human species (too easily interpreted as "non-white") as animalistic when not properly controlled.  

On the bright side, I appreciate the Doctor's broad and inclusive attitude toward sexual understanding across humanoid species.  We could do with a bit more of that here at home in the 21st century.

The story is another step on the road to B'Elanna and Tom having a more romantic and sexual involvement.  Fortunately, the relationship to come is a lot healthier than what we see here.

Acting Notes

via Memory Alpha

Alexander Enberg played the role of Vorik, "Blood Fever" being one of eight appearances for the character.  Enberg also played Taurik in the NextGen episode "Lower Decks."  I think it would have been nice if Taurik's story could have been continued via Voyager but the producers preferred having an all-new character.  Jeri Taylor - executive producer and also Enberg's mother - once suggested that Vorik and Taurik are twin brothers.  In total, Enberg has played four different Trek characters.

Enberg was born in Los Angeles, April 5, 1972.  He is the son of the aforementioned Jeri Taylor and legendary sportscaster Dick Enberg.  Beyond Trek, Enberg appeared in Quincy, M.E., Simon & Simon and Jake and the Fatman.  Films include Pump Up the Volume, Junior and Senseless.  

On the Road: So Long... for Now

For the student, it's four years of transformation, self-discovery, inspiration, exploration and affirmation.  

For the parents, the adventure is partially vicarious.  Watching the child become a self-actualized adult is one of the most gratifying parts of the whole journey.  And the community - both on campus and off - becomes an important part of your own lives.  If you're lucky, and we have been, occasional visits are relatively easy and frequent.

And now, at least for a while, the family geography contracts a bit with future plans still forming.  All three of us are grateful for the experience just completed and excited for the next steps.

Star Trek: For the Uniform

Episode: "For the Uniform"

Series: Star Trek: Deep Space Nine

Season 5, Episode 13

Original Air Date: February 3, 1997

via Memory Alpha

Sisko hunts Eddington, the DS9 security officer who betrayed Starfleet and Sisko specifically by joining the Maquis.  Whenever Sisko gets close, Eddington always manages to sidestep.  Eddington says he wants to be left alone but he also can't help bating our dear captain.  It's quite a game they play.

The Eddington story overall is a good one.  Betrayal is always a meaningful way to kick off a narrative and a manhunt is inherently engaging.  That said, this particular installment is a mixed bag for me.  The quality of storytelling is solid.  But there are elements I find troubling.

First the good.  "For the Uniform" introduces Captain Sanders, commanding officer of the USS Malinche, for his only canon appearance.  Starfleet sends Sanders to take over the Eddington mission from Sisko, seeing the latter as both ineffective and emotionally compromised.  It's a tricky role.  Sanders first approaches Sisko with regret but also with a tinge of a scolding tone.  In the end, he must admit his own failure to catch Eddington and concede the mission is rightfully Sisko's.  His "save me a seat at his court martial line" is a nice face-saving moment, restoring trust between himself and Sisko.  An understated yet effective performance by guest star, Eric Pierpoint.

Now the trouble.  To get his man, Sisko deploys a biological weapon on a Maquis-settlement planet.  That's a war crime, folks, and it sure as hell isn't good Star Trek.  Even his own Defiant crew reacts with disbelief, though they do follow his order.  And this, my friends, is part of the problem with the Sisko as Emissary arc.  If you tell a man he's essentially a god, eventually he'll start to believe you.  Then he'll believe everything he wants is justified as a matter of divine right.

Sound familiar?

"For the Uniform" includes homages to several classic films, including Run Silent, Run Deep, The Adventures of Robin Hood and The Secret Life of Walter Mitty.  

Acting Notes

via Wikipedia

For Eric Pierpoint, "For the Uniform" is the second of seven Trek appearances as five different characters on four different series.  Pierpoint was born in Redlands, California, November 18, 1950, though he spent his adolescence in Bethesda, Maryland, not far from where I grew up myself.  He even graduated from Walt Whitman High School, our arch-rival.  For undergrad, he attended the University of the Redlands where he was also captain of the soccer team.  Then he got an MFA from Catholic University.

Pierpoint's best-known role is George Francisco in the Alien Nation series.  Other television work includes Hot Pursuit, Fame and Parks and Recreation.  Films include Windy City, Liar, Liar and Transformers: Revenge of the Fallen.

Squid Mixes: Bacardi Cocktail

Several years ago, I posted about a cocktail called the Bacardi Special which combined rum, gin, lime juice and grenadine.  At the time, I wondered what the drink would be like without the gin.  Well, of course, there is already a name for such a concoction, the slightly different Bacardi Cocktail.  I got my recipe from The Joy of Mixology by Gary Regan.

Regan's version is intensely sweet, maybe too much so.  Rum generally pairs well with sweet flavors as it is itself sugar-derived.  Gin might help to cut into the sweetness but then so would adjusting the proportions.  Less grenadine next time, I think.  I would still be interested to try the two side-by-side.  My post on the Special praised its balance.  I liked the Cocktail but I would say it's out of balance.

And now, since he obligingly posed for the photo, I should properly introduce the newest cat in our family.  He's been with us for six months now.  Everyone needs an alias here at The Squid.  His shall be Pretty Boy.  It's what I call him half the time anyway.

Star Trek: Coda

Episode: "Coda"

Series: Star Trek: Voyager

Season 3, Episode 15

Original Air Date: January 29, 1997

via Memory Alpha

On the way back to the ship from an away mission, Janeway and Chakotay get caught in a time loop.  Or is Janeway dying?  Or both?  Eventually, an ethereal entity disguised as her own deceased father strives to lure our captain into the afterlife and away from her Voyager crew.

Honestly, the story for "Coda" is kind of all over the place.  The time loop idea is ultimately meaningless, part of a near-death hallucination.  In fact, did any of what Janeway experienced "really happen"?

And yet there is something meaningful weaved in through it all.  Star Trek has never been shy about exploring death, and not simply the obvious loss aspect either.  Is there an afterlife?  The franchise has, in fact, offered several different answers to that question.  "Coda" suggests the involvement of a higher intelligence.  What is "god" if not a higher intelligence?  Again, this is all well-tread territory for Trek and it won't be the last time for such questions.

"Coda" manages to offer an interesting angle: how does the person dying cope with the fact that she will no longer be a part of other people's lives?  In effect, how does she mourn herself?  For nearly three seasons worth of television, Janeway's primary drive has been getting her crew back to the Alpha Quadrant.  If she dies, she can't help them any more.  She can watch in a ghost state but she can't impact.  She will play no role in their successes or their failures.  Ever-growing loneliness is inevitable.  The only alternative is acceptance and she's not ready for that.

As is so often the case with Voyager, the basic premise is good while elements of the execution fall flat.  First, an obvious narrative oversight: Janeway never catches on to the fact that the one time Kes was able to sense her presence was when Kes physically passed through the Janeway ghost.  Why didn't the captain think to try that again?  The movie Ghost had come out in 1990.  In Ghost, that trick worked - with Whoopi Goldberg's character, no less!  A narrative question has a narrative answer: that wasn't the point of this story.  Whatever.  The inconsistency distracted me.  

Then the funeral speeches from the crew - so moving and so... staged.  It's sweet.  None of it feels organic.  It feels like a school play.  "Okay, it's your turn to emote now..."  DS9 is always effortless.  Voyager rarely is.  I know I just need to move past the differences but it's hard when the gap is evident.  Better actors + better writing = superior narrative flow.  Every time.

But the death stuff is interesting.

Acting Notes

The guest star cannot be blamed for "weak acting."  They brought in a heavyweight for "Coda."

via Blue Bloods Wiki

Len Cariou ("ghost" of Vice Admiral Janeway) was born in Saint Boniface, Manitoba, September 30, 1939.  He started both acting and directing while he was still in high school.  He graduated from St. Paul's College in Winnipeg.  

After several years at the Guthrie in Minneapolis, Cariou made his Broadway debut in 1968.  He received Tony nominations for his lead performances in Applause opposite Lauren Bacall and A Little Night Music opposite Elizabeth Taylor.  The Tony win finally came in 1979 when he debuted the title role in Sweeney Todd, opposite Angela Lansbury.  Films include The Four Seasons, Prisoners and the Best Picture Oscar winner Spotlight.  He's done well on television, too.  He was in the principal cast of Blue Bloods for 14 seasons.  He has had recurring roles in Murder, She Wrote, Brotherhood and Damages.  

On the Road: The Botanic Garden of Smith College

Star Trek: The Begotten

Episode: "The Begotten"

Series: Star Trek: Deep Space Nine

Season 5, Episode 12

Original Air Date: January 27, 1997

via Wikipedia

Quark sells a young changeling - little more than a jar of goo at this stage - to Odo, effectively making our dear constable a parent.  Odo sets about trying to teach his young charge to shapeshift, a bit tricky given that he can't do it himself anymore.  At Captain Sisko's urging, Odo enlists the help of his own Bajoran mentor/father, Dr. Mora.  Meanwhile, Kira gives birth to the O'Briens' baby.

"Begotten" can be challenging to watch at times as it treads on tricky territory. As previously explored in "The Alternate," Odo is highly resentful of Mora.  Before realizing Odo was a sentient life form, the scientist poked and prodded, generally making Odo miserable.  From Odo's perspective, it was an abusive relationship and his anger is understandable.  Mora, on the other hand, is fully convinced that he was doing what he thought was best.  There was no handbook for raising a Changeling so he had to make it up as he went along.  From the Odo-Mora viewpoint, "Begotten" is a story of forgiveness.

But the more interesting and gratifying tale is the relationship between Odo and his child.  Odo takes a gentler approach than Mora had and with gratifying results.  The young Changeling rising up to form Odo's face in a clear sign of affection is one of DS9's most moving moments.  

The episode ends bittersweetly on multiple fronts.  Saddest, the young Changeling dies.  However, in so doing, it dissolves into Odo, restoring the latter's shapeshifting abilities.  Odo's parting with Mora is surprisingly emotional.  They even hug.  Finally, Kira expresses regret over no longer being with the new baby - probably a very real emotional rollercoaster for many surrogate mothers.

Acting Notes

via Memory Alpha

Peggy Roeder played the role of Y'Pora, Kira's Bajoran midwife.  "Begotten" is Roeder's only Trek appearance.  Other television guest roles include Wings, ER and Law & Order.  Her most memorable movie role may be the piano teacher in Groundhog Day.  Other films include Eagle Eye, Road to Perdition and The Lake House.