On the Coffee Table: The Hernandez Brothers

Title: Love and Rockets

- Human Diastrophism

- Perla la Loca

- Beyond Palomar

- Amor y Cohetes

- Penny Century

- Esperanza

- Luba and Her Family

Writers and artists: Gil, Jaime and Mario Hernandez

Since my last post about the series in August, I've gone on a deep dive with Love and Rockets, powering through seven more trades.  For the most part, each volume is devoted entirely either to Jaime Hernandez's Locas world or Gil Hernandez's Palomar, though few of those are actually set in Palomar anymore, much of the family having moved to Los Angeles.  The exception is Amor y Cohotes which includes unrelated material from each of the two main creators, plus a few stories from brother Mario.  

I won't pretend that over several hundred pages, all of the material is great.  But when Love and Rockets is good, it is astonishingly good.  The greatest strength throughout is the seemingly effortless intimacy.  A few thoughts on specific volumes:

Human Diastrophism

via Amazon

Palomar stories.  The residents suffer through a serial killer and an earthquake.  For the reader, it's rough when terrible things happen to a community you care about.  Kids grow up too fast as decades often pass in just a few pages.  The most interesting story follows Pipo - interesting because the tale told in the images is independent of the one told in the text.

Perla la Loca

via Amazon

Maggie and Hopey start out in Hoppers (LA) but ultimately wind up on separate cross-country adventures.  Loads of wrestling in this one.

Beyond Palomar

This one moves way too fast for me.  Quite a lot of time passes from one panel to the next and it's hard to keep track of it all.  This is also the book where, as the title suggest, the characters start to move away from Palomar to the US.  When they finally do make it back, it feels like coming home for me, too.

Amor y Cohetes

via Amazon

This one is a collection of shorter pieces.  My love for the series relies on absorption and I couldn't get into most of the material here.  However, AyC does include a truly excellent biography of artist Frida Kahlo with images based on her work.

Penny Century

Back to Locas.  One of the most important through stories of L&R is the on-and-off-again love affair between Maggie and Hopey.  They're rarely actually dating.  In fact, they're both usually with other people.  But they still hook up with each other seemingly every chance they get and clearly, it's not just about sex.  There is a potent love between them.

However, it's not exactly equal.  Hopey is the more attached (though also the less dependable) of the two.  At one point in this volume, she muses about the nature of the relationship, basically acknowledging that it's all pretty messed up but in the end, she'll take what she can get from Maggie.  

I've heard people say this in the real world, too.  In effect, they'll take all of the dysfunction over being alone.  Honestly, I've never understood that attitude.  But here, I kind of understand it.  Hopey knows they can never have anything normal.  But she's in love with Maggie.  She doesn't really have a choice.  If it's the mess or nothing, she'll take the mess.

It's still unhealthy.  But I kind of get it.

More wrestling.  

Esperanza

via Amazon

Still with Locas.  Esperanza is Hopey's given name.  Esperanza, of course, is the Spanish word for hope.

The truth is, it's nearly impossible not to fall in love with Maggie.  Most of the other characters do at one point or another.  I kinda did, too.  She's not perfect - far from it.  But she's believable, accessible, vulnerable, unassuming.  Her reflections on her divorce - from a marriage that never even seemed to be especially important to her - comprise my favorite story in the entire series.  

We're also reminded that she's still a kickass mechanic.

And still more wrestling.

Luba and Her Family

via Amazon

Much of this collection is told from the viewpoint of the precocious Venus, Luba's niece, as she writes letters to her cousin back in Palomar.  Venus, probably about 10 years old, is hilarious and her insights into her family are keen.  However, her perspective is far from omniscient.  There's quite a lot of sex going on among the adults, including her own mother's extra-marital affairs.

In my previous post, I proclaimed Palomar to be the superior of the two main worlds.  I've since changed my mind.  Those stories are still good but for me, they lose something after the family moves to the States.  Meanwhile, Maggie and Hopey always draw me back.

I've still got two more trades on my shelves and there are two more beyond that in this series.  At this point, I see no reason not to read all of them.

Squid Mixes: Empress Aviation

I last posted about the Aviation cocktail about five years ago (see here).  I first posted about Empress Gin, dyed indigo with butterfly pea flower, about three years ago (see here).  When my wife recently requested an Aviation (a drink she's been ordering a lot at restaurants lately), I thought to put them together in order to enhance the purple color.  While Empress Gin has a recipe of their own on the company website, I chose to stick with the recipe in David Lebovitz's Drinking French in order to maintain flavor balance (and not cut out the creme de violette altogether).  

As I hope you can see in the photos, my latest attempt is definitely more purple than my 2021 effort.

2026

2021

However, they're still not as dark as the ones The Playwright made for us back in 2016.

2016

Sadly, he's not around anymore to ask but my guess is that he swapped the 2:1 proportion between the maraschino liqueur and the creme de violette in favor of the latter.  I may try that next time.  My wife has also suggested that his were more bitter which could bring greater flavor balance.

Star Trek: Blood Fever

Episode: "Blood Fever"

Series: Star Trek: Voyager

Season 3, Episode 16

Original Air Date: February 5, 1997

via Memory Alpha

Ensign Vorik attacks B'Elanna Torres.  He is suffering through the pon farr, an intense Vulcan hormonal episode which crops up every seven years.  Torres, in turn, starts exhibiting the same symptoms, a la rabies.  She turns her own attention to Tom Paris.  The episode is, in many ways, an homage to the original series's "Amok Time."

There's a lot of ickiness here.  Consent is evidently not a major concern for a Vulcan experiencing pon farr and Vorik is too easily forgiven for his attack.  There is also a problematic perspective on non-human species (too easily interpreted as "non-white") as animalistic when not properly controlled.  

On the bright side, I appreciate the Doctor's broad and inclusive attitude toward sexual understanding across humanoid species.  We could do with a bit more of that here at home in the 21st century.

The story is another step on the road to B'Elanna and Tom having a more romantic and sexual involvement.  Fortunately, the relationship to come is a lot healthier than what we see here.

Acting Notes

via Memory Alpha

Alexander Enberg played the role of Vorik, "Blood Fever" being one of eight appearances for the character.  Enberg also played Taurik in the NextGen episode "Lower Decks."  I think it would have been nice if Taurik's story could have been continued via Voyager but the producers preferred having an all-new character.  Jeri Taylor - executive producer and also Enberg's mother - once suggested that Vorik and Taurik are twin brothers.  In total, Enberg has played four different Trek characters.

Enberg was born in Los Angeles, April 5, 1972.  He is the son of the aforementioned Jeri Taylor and legendary sportscaster Dick Enberg.  Beyond Trek, Enberg appeared in Quincy, M.E., Simon & Simon and Jake and the Fatman.  Films include Pump Up the Volume, Junior and Senseless.  

On the Road: So Long... for Now

For the student, it's four years of transformation, self-discovery, inspiration, exploration and affirmation.  

For the parents, the adventure is partially vicarious.  Watching the child become a self-actualized adult is one of the most gratifying parts of the whole journey.  And the community - both on campus and off - becomes an important part of your own lives.  If you're lucky, and we have been, occasional visits are relatively easy and frequent.

And now, at least for a while, the family geography contracts a bit with future plans still forming.  All three of us are grateful for the experience just completed and excited for the next steps.

Star Trek: For the Uniform

Episode: "For the Uniform"

Series: Star Trek: Deep Space Nine

Season 5, Episode 13

Original Air Date: February 3, 1997

via Memory Alpha

Sisko hunts Eddington, the DS9 security officer who betrayed Starfleet and Sisko specifically by joining the Maquis.  Whenever Sisko gets close, Eddington always manages to sidestep.  Eddington says he wants to be left alone but he also can't help bating our dear captain.  It's quite a game they play.

The Eddington story overall is a good one.  Betrayal is always a meaningful way to kick off a narrative and a manhunt is inherently engaging.  That said, this particular installment is a mixed bag for me.  The quality of storytelling is solid.  But there are elements I find troubling.

First the good.  "For the Uniform" introduces Captain Sanders, commanding officer of the USS Malinche, for his only canon appearance.  Starfleet sends Sanders to take over the Eddington mission from Sisko, seeing the latter as both ineffective and emotionally compromised.  It's a tricky role.  Sanders first approaches Sisko with regret but also with a tinge of a scolding tone.  In the end, he must admit his own failure to catch Eddington and concede the mission is rightfully Sisko's.  His "save me a seat at his court martial line" is a nice face-saving moment, restoring trust between himself and Sisko.  An understated yet effective performance by guest star, Eric Pierpoint.

Now the trouble.  To get his man, Sisko deploys a biological weapon on a Maquis-settlement planet.  That's a war crime, folks, and it sure as hell isn't good Star Trek.  Even his own Defiant crew reacts with disbelief, though they do follow his order.  And this, my friends, is part of the problem with the Sisko as Emissary arc.  If you tell a man he's essentially a god, eventually he'll start to believe you.  Then he'll believe everything he wants is justified as a matter of divine right.

Sound familiar?

"For the Uniform" includes homages to several classic films, including Run Silent, Run Deep, The Adventures of Robin Hood and The Secret Life of Walter Mitty.  

Acting Notes

via Wikipedia

For Eric Pierpoint, "For the Uniform" is the second of seven Trek appearances as five different characters on four different series.  Pierpoint was born in Redlands, California, November 18, 1950, though he spent his adolescence in Bethesda, Maryland, not far from where I grew up myself.  He even graduated from Walt Whitman High School, our arch-rival.  For undergrad, he attended the University of the Redlands where he was also captain of the soccer team.  Then he got an MFA from Catholic University.

Pierpoint's best-known role is George Francisco in the Alien Nation series.  Other television work includes Hot Pursuit, Fame and Parks and Recreation.  Films include Windy City, Liar, Liar and Transformers: Revenge of the Fallen.

Squid Mixes: Bacardi Cocktail

Several years ago, I posted about a cocktail called the Bacardi Special which combined rum, gin, lime juice and grenadine.  At the time, I wondered what the drink would be like without the gin.  Well, of course, there is already a name for such a concoction, the slightly different Bacardi Cocktail.  I got my recipe from The Joy of Mixology by Gary Regan.

Regan's version is intensely sweet, maybe too much so.  Rum generally pairs well with sweet flavors as it is itself sugar-derived.  Gin might help to cut into the sweetness but then so would adjusting the proportions.  Less grenadine next time, I think.  I would still be interested to try the two side-by-side.  My post on the Special praised its balance.  I liked the Cocktail but I would say it's out of balance.

And now, since he obligingly posed for the photo, I should properly introduce the newest cat in our family.  He's been with us for six months now.  Everyone needs an alias here at The Squid.  His shall be Pretty Boy.  It's what I call him half the time anyway.

Star Trek: Coda

Episode: "Coda"

Series: Star Trek: Voyager

Season 3, Episode 15

Original Air Date: January 29, 1997

via Memory Alpha

On the way back to the ship from an away mission, Janeway and Chakotay get caught in a time loop.  Or is Janeway dying?  Or both?  Eventually, an ethereal entity disguised as her own deceased father strives to lure our captain into the afterlife and away from her Voyager crew.

Honestly, the story for "Coda" is kind of all over the place.  The time loop idea is ultimately meaningless, part of a near-death hallucination.  In fact, did any of what Janeway experienced "really happen"?

And yet there is something meaningful weaved in through it all.  Star Trek has never been shy about exploring death, and not simply the obvious loss aspect either.  Is there an afterlife?  The franchise has, in fact, offered several different answers to that question.  "Coda" suggests the involvement of a higher intelligence.  What is "god" if not a higher intelligence?  Again, this is all well-tread territory for Trek and it won't be the last time for such questions.

"Coda" manages to offer an interesting angle: how does the person dying cope with the fact that she will no longer be a part of other people's lives?  In effect, how does she mourn herself?  For nearly three seasons worth of television, Janeway's primary drive has been getting her crew back to the Alpha Quadrant.  If she dies, she can't help them any more.  She can watch in a ghost state but she can't impact.  She will play no role in their successes or their failures.  Ever-growing loneliness is inevitable.  The only alternative is acceptance and she's not ready for that.

As is so often the case with Voyager, the basic premise is good while elements of the execution fall flat.  First, an obvious narrative oversight: Janeway never catches on to the fact that the one time Kes was able to sense her presence was when Kes physically passed through the Janeway ghost.  Why didn't the captain think to try that again?  The movie Ghost had come out in 1990.  In Ghost, that trick worked - with Whoopi Goldberg's character, no less!  A narrative question has a narrative answer: that wasn't the point of this story.  Whatever.  The inconsistency distracted me.  

Then the funeral speeches from the crew - so moving and so... staged.  It's sweet.  None of it feels organic.  It feels like a school play.  "Okay, it's your turn to emote now..."  DS9 is always effortless.  Voyager rarely is.  I know I just need to move past the differences but it's hard when the gap is evident.  Better actors + better writing = superior narrative flow.  Every time.

But the death stuff is interesting.

Acting Notes

The guest star cannot be blamed for "weak acting."  They brought in a heavyweight for "Coda."

via Blue Bloods Wiki

Len Cariou ("ghost" of Vice Admiral Janeway) was born in Saint Boniface, Manitoba, September 30, 1939.  He started both acting and directing while he was still in high school.  He graduated from St. Paul's College in Winnipeg.  

After several years at the Guthrie in Minneapolis, Cariou made his Broadway debut in 1968.  He received Tony nominations for his lead performances in Applause opposite Lauren Bacall and A Little Night Music opposite Elizabeth Taylor.  The Tony win finally came in 1979 when he debuted the title role in Sweeney Todd, opposite Angela Lansbury.  Films include The Four Seasons, Prisoners and the Best Picture Oscar winner Spotlight.  He's done well on television, too.  He was in the principal cast of Blue Bloods for 14 seasons.  He has had recurring roles in Murder, She Wrote, Brotherhood and Damages.