Series: Star Trek: Voyager
Season 3, Episode 4
Original Air Date: September 25, 1996
| via Memory Alpha |
The Doctor is losing his memory. Most alarming, he's forgetting his medical programming but he's also forgetting his more personal experiences on Voyager. Fortunately, there's a diagnostic program for the EMH on the holodeck, including a holographic Lewis Zimmerman, the man who created the Doctor in his own image. Meanwhile, Captain Janeway and her crew must find their way through the territory of beings who don't take kindly to the intrusion.
"The Swarm" is pretty solid, the second Voyager writing credit for Michael Sussman who penned the excellent "Meld" for Season 2. Obviously, it's a meaningful vehicle for the Doctor. We learn he's developed a love for opera, performing La Boheme on the holodeck. We get to know his creator better. We are reminded of his considerable growth since the beginning of the series. It is also a great story for Kes, the ultimate hero of the tale. She cares for her holographic friend deeply and she's a strong advocate for his rights and well-being throughout. The episode was written as an Alzheimer's allegory and Kes was excellent in the caretaker role.
I'm likely to get a bit wistful regarding Kes throughout Season 3...
The ethical dilemma of whether or not to travel though another society's air space is meaningful. As Tuvok points out, doing so is a violation of Starfleet directives. Neither for the first time nor the last, Janeway plays the "we're a long way from Starfleet right now" card, prioritizing the long-term well-being of her ship and crew. The dilemma presents a genuinely interesting long-term question regarding Voyager's entire premise. Does the crew's situation exempt them from Starfleet regulations? A purist would say no. But goodness knows, Star Trek would be a lot less fun if the captain(s) never bent or broke the rules, right? That's kinda the point of it all. Weigh all of the strong arguments, then make the call. The Starfleet brass always seem to forgive them in the end.
A note for Mulgrew: a few times in the episode, we see a slanted smile. It happens enough that one imagines it was a conscious choice. Unfortunately, whatever the intent, it lands as patronizing and even aloof, particularly in a tense situation. Hopefully, the directors/producers told her it wasn't working. I'll keep an eye out for it in future episodes.
Acting Notes
| via Scrubs Wiki |
Carole Davis played the role of Giusseppina Pentangelli, a fictitious 22nd century soprano, Mimì to the Doctor's Rodolfo in the holographic opera. Davis doesn't get much screen time - a shame because she's a lot of fun, really playing the "diva" energy to the hilt. I can't find any indication one way or the other as to whether they used her actual singing voice in the episode. (They did use Picardo's.) Davis is a singer, even had a dance hit with "Serious Money" in the '80s. However, I don't know if she has classical training. It would seem a shame not to cast the real deal for such a small part but we've all seen stranger.
Davis was born in London, February 17, 1958. After a successful modeling career, she hit the big screen in 1982 with Piranha II: The Spawning. She also made appearances in The Flamingo Kid and Mannequin. Other television credits include The A-Team, Sex and the City and Angel.
Davis was pals with Prince and even has co-writing credit on one of his songs: "Slow Love." She's an accomplished writer as well, boasting articles for The Jewish Journal, American Dog Magazine and Newsvine.

