Star Trek: Before and After

Episode: "Before and After"

Series: Star Trek: Voyager

Season 3, Episode 21

Original Air Date: April 9, 1997

via Memory Alpha

The story begins six years in Voyager's future.  Kes is on her death bed.  From there, she experiences a series of flashbacks, living her life in reverse.  We get to know the family she had with Tom Paris and the tragic ends met by some of her shipmates.  Eventually, all is made right.  We - and Kes - return to the "correct" timeline.  And the eternally wise Tuvok reminds everyone that the future Kes experienced is only one possible outcome.

"Before and After" is a popular choice for best of lists for the series.  Because of my bias against time travel narratives - not to mention Voyager's tendency to go to that well far too often - I'm not putting it there.  However, there's no denying it's a lovely character story for Kes and we're running out of those fast.  

In my favorite scene, Kes assures her daughter Linnis that Linnis herself will be a good mother because Kes knows the child will turn out fine.  Because of the way the timeline is messing with her, Kes has actually only known Linnis for a few minutes but she still knows the right thing to say.  Star Trek treats such effortless empathy like a superpower and maybe it is.  Wherever the gift comes from, the moment shows Kes at her best - indeed, the Deanna Troi legacy at its best.  Seven of Nine is about to bring tremendous breadth and depth to the narrative but when Kes leaves, Voyager will lose a lot of heart.

Acting Notes

via Lois and Clark: The New Adventures of Superman Wikia

Jessica Collins (Linnis) was born Jessica Lynn Capogna in Schenectady, New York, April 1, 1971.  She was the runner-up in the Miss Teen USA pageant in 1988.  She studied acting at the Royal National Theatre Studio in London and the Howard Fine Acting Studio in Los Angeles.

Collins is best known for her television work.  She has had starring roles on Loving, The Young and the Restless and Tru Calling.  She won a Daytime Emmy for Y&R.  Guest appearances include Beverly Hills 90210, It's Always Sunny in Philadelphia and Grey's Anatomy.  Films include Beautiful, Catch Me If You Can and Live!

Star Trek: Favorite Son

Episode: "Favorite Son"

Series: Star Trek: Voyager

Season 3, Episode 20

Original Air Date: March 19, 1997

via Memory Alpha

Harry Kim is inexplicably drawn to the planet Taresia where the natives tell him he is one of their own.  An agent of their world traveled to Earth long ago and injected Taresian DNA into Harry's mother.  Now that he's finally "come home," the Taresians are eager for him to stay, marry three wives and have loads of children.  The Doctor's scans confirm that Harry does, indeed, carry Taresian DNA but something's fishy...

"Favorite Son" is the last of a three-episode run often referred to by fans as the "trilogy of terror."  In other words, they're notoriously bad.  I don't really think any of them are so terrible.  A little Harry development is always nice and it's only fitting that an Odyssey-like series should have a Sirens episode.  "Favorite Son" is definitely sexist so if that's the complaint, I will concede the point.  But otherwise, the story's okay - certainly far from terrible.  We've seen worse from Voyager!

 

In the end, it is revealed that the Taresian DNA was implanted in Harry long after his birth.  However, in the original script, there is no such plot twist.  Harry is a Taresian and would have been for the rest of the series.  That could have been interesting.  Instead, the writers let themselves off the hook for trying to figure out how to incorporate the revelation in future stories.

Acting Notes

via Criminal Minds Wiki

Cari Shayne played the role of Eliann, one of the Taresian women eager to marry Harry.  She was born in Sellersville, Tennessee, September 8, 1972.  Career highlights including recurring roles on General Hospital, Party of Five and The Bay.  She's also made guest appearances on Murder, She Wrote, Criminal Minds and This Is Us.  Films include Exposé, Jack the Dog and Good Fortune.

Star Trek: Rise

Episode: "Rise"

Series: Star Trek: Voyager

Season 3, Episode 19

Original Air Date: February 26, 1997

via Memory Alpha

Always happy to make nice with the locals while they're passing through, the Voyager crew are helping protect a Nezu colony from an asteroid bombardment.  But there's something fishy going on.  The ship's torpedoes should be obliterating the asteroids and yet fragments are still making it to the planet surface.  A Nezu scientist reports that the asteroids appear to be artificial.  Our friends send down three shuttles on a rescue mission including one led by Tuvok and Neelix.  They are forced to make an emergency landing and that's where the real fun begins.

"Rise" explores the difficult relationship between Tuvok and Neelix.  It's well established by this point in the series that Neelix drives Tuvok crazy.  Neelix is impulsive, moody, gregarious and seemingly unserious: everything that a logical Vulcan abhors.  Now here they are, in a situation in which they absolutely have to work together in order to survive.  For perhaps the first time, Neelix proves his value - as well as the value of his own particular strengths - to the Lieutenant.  It's a big deal.

The story is based on the 1965 film, The Flight of the Phoenix.

Acting Notes

via Wikipedia

Alan Oppenheimer played the role of a Nezu ambassador.  It was his third of three Trek appearances on three different series.  Oppenheimer was born in New York City, April 23, 1930.

Television work includes appearances on Hogan's Heroes, Get Smart and Happy Days.  Film credits include Westworld and the narrator in The NeverEnding Story.  He had an extensive voice acting career, beginning in the 1970s.  He worked on several Filmation shows, including Flash Gordon, Ghostbusters and The Smurfs and yet, interestingly, never Trek's animated series.

Star Trek: Darkling

Episode: "Darkling"

Series: Star Trek: Voyager

Season 3, Episode 18

Original Air Date: February 19, 1997

via Memory Alpha

In an effort to improve his bedside manner, the Doctor selects famously compassionate historical figures - Byron, Ghandi, Socrates, T'Pau - to incorporate into his programming.  Meanwhile, Kes is falling in love with a trader, Zahir, who offers to take her on grand adventures - away from Voyager.  Unfortunately, the good doctor fails to account for the fact that he would take on his heroes' flaws along with their strengths.  Two separate, competing personalities emerge in a Jekyll and Hyde tale.  The evil one eventually puts both Torres and Kes in grave peril.

Robert Picardo really acts the snot out of this one.  As with Brent Spiner (Data), there is danger in letting Picardo out of the box.  We see a lot of "look at me, I'm meeeeeean" from ol' Bob here.  And I have to admit, I really wanted to watch B'Elanna kick his ass for pawing her.  Perhaps another time...

Kes will be leaving the show soon.  I'll leave discussion of the particulars until the moment arrives but "Darkling" makes me wonder how far ahead of time the creative staff was at least aware of the possibility.  The writers painted themselves into a corner from the beginning with Kes's expected life span and in this episode, she suggests to Janeway for the first time that she may not want to spend the rest of her short life on Voyager.  And just as importantly, Janeway responds quite reasonably.  After all, Kes isn't Starfleet or Maquis.  She's along for the journey by choice and she's certainly earning her keep as the doctor's assistant.  There's no reason she shouldn't be free to go whenever she pleases.

Fortunately, not just yet.  At this point, I would say Tuvok has overtaken both the Doctor and Kes as the most interesting character but Kes is still comfortably Top 3.

Acting Notes

via Memory Alpha

David Lee Smith (Zahir) was born in Birmingham, Alabama, September 8, 1963.  Films include The Man from Earth, Mysterious Skin and A Walk to Remember.  Television work includes Savannah, The Naked Truth and CSI: Miami.  

Star Trek: Unity

Episode: "Unity"

Series: Star Trek: Voyager

Season 3, Episode 17

Original Air Date: February 12, 1997

via Memory Alpha

During a shuttle mission, Chakotay and his pilot, Ensign Kaplan, respond to a distress call - and doesn't that always lead to trouble?  When they land on the planet of the signal's origin, they are almost immediately attacked.  Chakotay is knocked unconscious.  When he comes to, the woman attending him is human, and a former Starfleet officer at that.  Soon, it becomes apparent that she and the rest of her community are dis-assimilated Borg drones.  They help Chakotay - indeed, they save his life.  But they also need help from him, and the particular assistance required is a tough sell for Captain Janeway.

"Unity" provides an early glimpse of Voyager's most important story - I mean, apart from the obviously overarching long journey home.  With the Hugh arc, NextGen raised important questions regarding the Borg: is it possible to separate a drone from the collective and what would be the consequences of doing so?  Apart from the series premier, DS9 has mostly ignored the Borg in favor of other fruitful narrative paths.  But soon, Voyager will explore these questions in depth via the character Seven of Nine.

It's difficult for me to look past my own eager anticipation of stories to come and judge "Unity" on its own merits.  That said, I think the episode is genuinely important for revealing to Chakotay the power and the seductiveness of the collective.  As part of his healing, he is joined with them and the experience of total connection is overwhelming.  And beautiful.  Yes, they manipulate him for selfish gain.  But then they leave him alone and it's obvious he regrets that a little.

I also think it relates thematically with Captain Sisko's experience in "Rapture."  The stories are separate, of course, and quite different from each other.  But the power of connection is common to both.  I think of where we are as a society nearly 30 years later.  Many have theorized that Trumpism is a result of too many young men, in particular, feeling disconnected from... everything.  Feeling a part of something larger than oneself: is it a universal human need?  Generations of psychologists and sociologists have asserted that it is.  Both "Unity" and "Rapture" support the thinking.

Acting Notes

via Wikipedia

Lori Hallier played the role of Dr. Riley Frazier, the former Starfleet officer turned Borg drone turned separated drone.  Hallier was born in Victoria, British Columbia, July 8, 1959.  She studied theatre at the University of Victoria, ultimately graduating from the National Theatre School in Montreal.

Hallier's films include My Bloody Valentine, Warning Sign and My Name Is Tanino.  On television, she had recurring roles on Days of Our Lives and Santa Barbara and guest roles on The Dukes of Hazzard, Jake and the Fatman and Matlock.  

Star Trek: Blood Fever

Episode: "Blood Fever"

Series: Star Trek: Voyager

Season 3, Episode 16

Original Air Date: February 5, 1997

via Memory Alpha

Ensign Vorik attacks B'Elanna Torres.  He is suffering through the pon farr, an intense Vulcan hormonal episode which crops up every seven years.  Torres, in turn, starts exhibiting the same symptoms, a la rabies.  She turns her own attention to Tom Paris.  The episode is, in many ways, an homage to the original series's "Amok Time."

There's a lot of ickiness here.  Consent is evidently not a major concern for a Vulcan experiencing pon farr and Vorik is too easily forgiven for his attack.  There is also a problematic perspective on non-human species (too easily interpreted as "non-white") as animalistic when not properly controlled.  

On the bright side, I appreciate the Doctor's broad and inclusive attitude toward sexual understanding across humanoid species.  We could do with a bit more of that here at home in the 21st century.

The story is another step on the road to B'Elanna and Tom having a more romantic and sexual involvement.  Fortunately, the relationship to come is a lot healthier than what we see here.

Acting Notes

via Memory Alpha

Alexander Enberg played the role of Vorik, "Blood Fever" being one of eight appearances for the character.  Enberg also played Taurik in the NextGen episode "Lower Decks."  I think it would have been nice if Taurik's story could have been continued via Voyager but the producers preferred having an all-new character.  Jeri Taylor - executive producer and also Enberg's mother - once suggested that Vorik and Taurik are twin brothers.  In total, Enberg has played four different Trek characters.

Enberg was born in Los Angeles, April 5, 1972.  He is the son of the aforementioned Jeri Taylor and legendary sportscaster Dick Enberg.  Beyond Trek, Enberg appeared in Quincy, M.E., Simon & Simon and Jake and the Fatman.  Films include Pump Up the Volume, Junior and Senseless.  

Star Trek: Coda

Episode: "Coda"

Series: Star Trek: Voyager

Season 3, Episode 15

Original Air Date: January 29, 1997

via Memory Alpha

On the way back to the ship from an away mission, Janeway and Chakotay get caught in a time loop.  Or is Janeway dying?  Or both?  Eventually, an ethereal entity disguised as her own deceased father strives to lure our captain into the afterlife and away from her Voyager crew.

Honestly, the story for "Coda" is kind of all over the place.  The time loop idea is ultimately meaningless, part of a near-death hallucination.  In fact, did any of what Janeway experienced "really happen"?

And yet there is something meaningful weaved in through it all.  Star Trek has never been shy about exploring death, and not simply the obvious loss aspect either.  Is there an afterlife?  The franchise has, in fact, offered several different answers to that question.  "Coda" suggests the involvement of a higher intelligence.  What is "god" if not a higher intelligence?  Again, this is all well-tread territory for Trek and it won't be the last time for such questions.

"Coda" manages to offer an interesting angle: how does the person dying cope with the fact that she will no longer be a part of other people's lives?  In effect, how does she mourn herself?  For nearly three seasons worth of television, Janeway's primary drive has been getting her crew back to the Alpha Quadrant.  If she dies, she can't help them any more.  She can watch in a ghost state but she can't impact.  She will play no role in their successes or their failures.  Ever-growing loneliness is inevitable.  The only alternative is acceptance and she's not ready for that.

As is so often the case with Voyager, the basic premise is good while elements of the execution fall flat.  First, an obvious narrative oversight: Janeway never catches on to the fact that the one time Kes was able to sense her presence was when Kes physically passed through the Janeway ghost.  Why didn't the captain think to try that again?  The movie Ghost had come out in 1990.  In Ghost, that trick worked - with Whoopi Goldberg's character, no less!  A narrative question has a narrative answer: that wasn't the point of this story.  Whatever.  The inconsistency distracted me.  

Then the funeral speeches from the crew - so moving and so... staged.  It's sweet.  None of it feels organic.  It feels like a school play.  "Okay, it's your turn to emote now..."  DS9 is always effortless.  Voyager rarely is.  I know I just need to move past the differences but it's hard when the gap is evident.  Better actors + better writing = superior narrative flow.  Every time.

But the death stuff is interesting.

Acting Notes

The guest star cannot be blamed for "weak acting."  They brought in a heavyweight for "Coda."

via Blue Bloods Wiki

Len Cariou ("ghost" of Vice Admiral Janeway) was born in Saint Boniface, Manitoba, September 30, 1939.  He started both acting and directing while he was still in high school.  He graduated from St. Paul's College in Winnipeg.  

After several years at the Guthrie in Minneapolis, Cariou made his Broadway debut in 1968.  He received Tony nominations for his lead performances in Applause opposite Lauren Bacall and A Little Night Music opposite Elizabeth Taylor.  The Tony win finally came in 1979 when he debuted the title role in Sweeney Todd, opposite Angela Lansbury.  Films include The Four Seasons, Prisoners and the Best Picture Oscar winner Spotlight.  He's done well on television, too.  He was in the principal cast of Blue Bloods for 14 seasons.  He has had recurring roles in Murder, She Wrote, Brotherhood and Damages.  

Star Trek: Alter Ego

Episode: "Alter Ego"

Series: Star Trek: Voyager

Season 3, Episode 14

Original Air Date: January 15, 1997

via Memory Alpha

Ensign Harry Kim is in love with Marayna, a holodeck character in Neelix's luau program.  He's got it bad.  It's interfering with his work.  He goes to Tuvok for guidance on emotional control.  The Lieutenant goes to the holodeck to check out Marayna.  She ends up falling for Tuvok instead.  Perhaps there is more to Marayna than originally suspected.

"Alter Ego" is a great Tuvok episode.  I'm finding there are a lot of those.  Tuvok provides more in-depth exploration of Vulcan culture and philosophy than Spock ever did.  Kim's questions and especially Marayna's challenges reveal much of Tuvok's own thinking, even bringing new and unexpected self-awareness.   "Alter Ego" also introduces kal-toh, a complicated and beautiful Vulcan strategy game.  

via Memory Alpha

Solution via Memory Alpha

The story is a meaningful continuation of a couple TNG holodeck threads.  Falling in love with a holodeck character hearkens back to "11001001," NextGen's best Season 1 offering.  Such a character taking over the ship is an expansion of Moriarty's efforts in "Ship in a Bottle."

Acting Notes

via Memory Alpha

Sandra Nelson (Maryana) was born in Madison, Wisconsin, December 29, 1964.  "Alter Ego" is her first of two Trek appearances.  She played Phyllis Summers for two years on The Young and the Restless.  Films include Life as a House, De-Lovely and The Wolf of Wall Street.  Other television guest roles include ER, Monk and NCIS.  

Star Trek: Fair Trade

Episode: "Fair Trade"

Series: Star Trek: Voyager

Season 3, Episode 13

Original Air Date: January 8, 1997

via Memory Alpha

Voyager arrives at the edge of the mysterious Nekrit Expanse.  Our friends head to a nearby space station to trade for supplies and hopefully gather helpful information for navigating this difficult region of space.  Meanwhile, Neelix is facing an existential crisis.  Do Janeway and company even need him any more now that they've reached a part of the Delta Quadrant he doesn't know?  His anxiety leads to trouble when he runs into Wixiban, an old friend and a connection to Neelix's shady past.

At this stage of the series, the search for Neelix's raison d'être extended to both sides of the camera.  By mid-Season 3, both NextGen and DS9 were well-oiled machines.  Voyager is still an awkward fledgling and unsettled characters are a major issue.  Adding Worf to the DS9's cast was a matter of building on strengths.  Similar bold changes await Voyager in its fourth season.  With historical hindsight, we know what's coming.  But I think even a viewer in January 1997 might have sensed that addition by subtraction was looming.  Neelix has been mostly annoying to this point and I can't imagine that cutting him loose wasn't considered.  If they were going to keep him, they'd better help him find a foothold fast.

Fortunately, "Fair Trade" is a pretty good episode - certainly the strongest Neelix story so far.  Connecting back to his previous life is meaningful.  Voyager is a well-established reform project for several characters: Tom, B'Elanna, Lon Suder, etc.  Why not Neelix, too?  And the way he manages to wiggle out of trouble is genuinely clever.  The crisis point with the Captain in the final scene cuts to the chase: no, Neelsix, casting you off would be too easy.  You need to live with the guilt and rebuild trust.  And I, the viewer, will acknowledge, that's not just an episodic television convenience.  It is genuinely the more interesting narrative choice.

Neelix is a nervous but loyal dog.  He's eager to please, to impress, to love and be loved.  He sees love as something he must earn, then guard jealously.  He whines when threatened or neglected.  He understands the shame he deserves.  He is grateful for forgiveness.

21st Century Notes

We need to talk about the cancellation of Starfleet Academy.  I'll put my cards on the table.  It is the best Star Trek series of the streaming era - indeed, the finest Trek since Deep Space Nine ended.  The stories are rich.  The characters are amazing and refreshingly unpredictable.  The concept is long overdue and the narrative possibilities enticing.  Two separate Season 1 episodes brought me to tears.  A four-season run was already mapped out.

And now, the trolls have killed it.  Paramount will say it was the ratings and to be fair, plenty of amazing shows have met similar fates for crass commercial reasons.  Firefly and Freaks and Geeks come to mind.  Television producers want an adequate return on their considerable investments.  Artistic quality doesn't always sell.  

But good luck convincing me it doesn't run deeper with Starfleet Academy.  The Internet trolls set their sights on the series from Day 1.  And yes, it's well-documented that right-wing interest groups actually pay people to go on social media and be assholes.  The objections are mainly two: a gay Klingon and unconventional women in positions of authority.  

I'm not going to linger too long on the basics of representation because anyone who's actually paid attention knows it's been the whole point of Star Trek since 1966  If you have a problem with extending tolerance to LGBTQIA+ characters, you are not a Trekkie.  You're also on the wrong blog.  If anyone is going to spew any of that shit here, understand that I will not treat your "opinion" as valid.  Your squeamishness harms people.  Period.  Grow up.

via Memory Alpha

And heaven forbid the franchise should finally bring some dimension to Klingon society.  Jay-Den is a pacifist in what has long been projected as a monolithic warrior civilization.  He would rather heal others and watch birds than kill anyone.  That alone would probably have been tough to swallow for the idiots but likely not enough to kill the show.  The much greater sins: he's gay and he occasionally wears gender-nonconforming clothing.  Even worse, no one in-story, his own Klingon family included, gives a shit.  Where is the public shaming?  We all know queer characters must be made to suffer, right?  Hell, if the writers aren't going to do it, the MAGA fuckers sure better do it for them.

The women?  Two of the faculty members, Jett Reno and Lura Thok, are open gay lovers.  Lura Thok is also bi-racial (Spock, anyone?): Klingon and Jem'Hadar.  "Is that even biologically possible for the Jem'Hadar?" the trolls whine.  It's all fiction, dipshit, of course it's possible.  But this sort of deviance is only to be expected in the horrible halls of academia, right?  The trolls' most vehement objections are directed at the Academy Captain and Chancellor, Nahla Ake.  Her crimes?

She walks around barefoot and won't sit properly in the Captain's chair.

No, seriously, that's it.

via Wikipedia

You see, the idiots don't mind a female leader as long as she still adheres to masculine expectations.  Act like a man as much as possible while still looking pretty.  Even a lesbian is borderline acceptable because, well, she wants to sleep with women and that's dude stuff, right?  Now, to be fair, these standards extend deeply into the real world and across all fictional platforms.  Ake is a challenge to the norms and that is exactly what Star Trek is supposed to be, folks.  The entire mission from the beginning has been to push us all just that little bit further out of our comfort zones until it starts to feel normal.  Then push us a little bit further again.  Repeat.  For 60 years.  

Have there been missteps along the way?  Of course.  Have there been obvious opportunities for them to push harder that they didn't take?  You're damn right there have.  But the mission has always been there and it's exactly why so many of us care so deeply.

The fact that a woman who won't sit up straight is enough to kill an otherwise wonderful show says quite a lot about where we are as a society.  It's not exactly an encouraging revelation.

I won't put all of this on the political/religious right just as I can't in the real world.  Morally ambitious though it has been, Star Trek has always reflected the current anxieties of white liberalism.  The color blindness we were taught in the '80s and '90s is mirrored by the attitudes toward "alien races" in the NextGen-era series.  Indeed, the fact that they're still referred to as aliens is revealing.

21st century wokeness has its limits and gender - even more than sexuality at the moment - is a major test of those limits.  Plenty of white "liberals" feel we have gone too far in advocating for transgender people, not because they don't think it's right to do so but because they worry it has made the Democratic Party vulnerable in elections.  This is not my imagination.  I've heard people say it.  This anxiety is cowardly and it is 100% real.  

The trolls know they can push on certain buttons and sow the seeds of doubt in white liberals.  They know they can scare them away from a show like Starfleet Academy with suggestions that it might be going too far on gender.  The ratings are what they are.  But the trolls put a heavy thumb on the scale and it worked.  And the current leadership at Paramount have made clear they're not inclined to stick their necks out in the present political climate.

Season 2 is already in the can so we will get a little more.  There have been fan petitions to save Starfleet Academy but the set pieces have already been sold off.  In the eyes of those with control of the funding, it's all over.  Unfortunately, that's all that matters in the end.

I hope Star Trek survives this setback.  Yes, I know there will eventually be more material.  I mean that I hope the mission itself survives.  

Acting Notes

via Grey's Anatomy Universe Wiki

James Nardini (Wixiban) was born in Jersey City, New Jersey.  His films include Harley Davidson and the Marlboro Man and voice dubbing in the English-language version of The Tale of the Princess Kaguya.  Television work includes Night Court, Cheers and Criminal Minds.   

Star Trek: Macrocosm

Episode: "Macrocosm"

Series: Star Trek: Voyager

Season 3, Episode 12

Original Air Date: December 11, 1996

via Memory Alpha

Captain Janeway and Neelix return from an away mission to find the entire crew suffering from a debilitating virus.  The Doctor accidentally brought it back from his own away mission.  What had been microorganisms have grown and they're reproducing quickly.  Neelix quickly succumbs as well so it's left to the Captain and the Doctor to save the day.

How handy that Star Trek so often has one non-organic life form who is less vulnerable than everyone else, not unlike the Scarecrow and Tin Man in The Wizard of Oz.  

"Macrocosm" is a fairly obvious Aliens send up, though the writers have always denied it, likely for copyright infringement reasons.  The Trek creatives were no doubt still stinging from the brush back from the James Bond lawyers regarding "Our Man Bashir."   But Janeway wandering the halls in a tank top with a big, rifle-like weapon while weird creatures are emerging from people's bodies?  Sure looks like Aliens to me.

This episode goes on the long list of episodes other people seem to like but I don't.  The reason is not complicated.  I'm not a fan of horror films.  Indeed, I've never actually watched any of the Aliens movies myself.  So the tropes tend to induce anxiety rather than thrill.  Honestly, I found "Macrocosm" difficult to watch.  But I won't say it's a bad episode - just not my jam.

Acting Notes

via Dexter Wiki

Albie Selznick plays the Tak Tak Consul, representative of a culture who incorporates intricate body movements as part of their language.  Neelix masters the language quickly.  Janeway, not so much.  Selznick Selznick was born in Los Angeles County, January 1, 1959.  "Macrocosm" is his second of three Trek appearances.

Selznick performed as a magician with a group called The Mums for 25 years.  The Mums appeared together in Breakin' 2: Electric Boogaloo.  Most of Selznick's high-profile work has been on television, including appearances on Suddenly Susan, The Young and the Restless and NYPD Blue.

Star Trek: The Q and the Grey

Episode: "The Q and the Grey"

Series: Star Trek: Voyager

Season 3, Episode 11

Original Air Date: November 27, 1996

via Memory Alpha

Q appears uninvited in Captain Janeway's quarters, intent on seducing her.  In time, we learn not all is right in the Q Continuum and our old friend sees having a child with our dear captain as the solution to all of the problems.  But wait, there's more.  Evidently, our Q (John de Lancie) already has a Q mate (Suzie Plakson) and she's none too happy about this plan.  Of course, neither is our captain.  To make the Continuum Civil War understandable for "Kathy." as he calls her, Q creates an American Civil War-scape illusion, thus the episode's title, a play on The Blue and the Gray, a 1981 Civil War mini-series.

As previously discussed, I don't share the same reflexive affection for Q as many fans do and his Lothario impression here does little to improve my opinion.  That said, "The Q and the Gray" is fun in its way.  And Kate Mulgrew looks in her element in period dress.

My favorite part of the episode is near the end when the Qs finally mate with each other and Janeway... doesn't exactly avert her glance, though the "show" is certainly underwhelming.  Our dear Kathy has a bit of voyeur in her - or at least a healthy curiosity about how Qs get it on.  Perhaps a bit of both?  Either way, it's funny.

Acting Notes

via Wikipedia

Harve Presnell played the role of Colonel Q, commander of the opposing forces in the Continuum Civil War.  Presnell was born in Modesto, California, September 14, 1933.  He was a child prodigy musician, scoring his first professional opera role at age 16.  He got a bachelor's in vocal performance at USC.

After a few years working as a professional baritone, he was discovered by Meredith Wilson while the latter was working on a new musical, The Unsinkable Molly Brown.  Wilson created the role of Leadville Johnny with Presnell in mind.  Presnell played the part on both stage and screen, where he won a Golden Globe.  Other films include Paint Your Wagon, Saving Private Ryan and Fargo.  On television, he had a principal role on Andy Barker, P.I.  Guest appearances include The Pretender, Lois & Clark: The New Adventures of Superman and Dawson's Creek.

Presnell passed away in 2009 from pancreatic cancer.

Star Trek: Warlord

Episode: "Warlord"

Series: Star Trek: Voyager

Season 3, Episode 10

Original Air Date: November 20, 1996

via Memory Alpha

Our heroes rescue three injured beings from a ship moments before it explodes.  They seem grateful - at first.  One of them is possessed by a malevolent entity who takes mental possession of Kes just before his current host dies.  Possessed Kes and her two new friends steal a shuttle and return to their own world, intent on overthrowing its current ruler.

"Warlord" is a good Kes episode.  Jennifer Lien gets to show off some range as Tieran, the entity possessing her, is quite ruthless in pursuing his ambitions.  We nearly get an on-screen same-sex kiss between Kes and Nori, Tieran's wife, before they're rudely interrupted.  More importantly to the long term, Kes breaks up with Neelix.  At first, it seems like she's only doing it because she's possessed.  That would definitely have been disappointing as Neelix is undeniably a controlling, possessive boyfriend and Kes's desire for breathing room is completely understandable.  But, in fact, this is it.  They never will get back together after this episode.

Unfortunately, we're running out of time with Kes.  Jennifer Lien left the show near the beginning of Season 4.  I'll discuss the particulars when we get to that point.  But having the benefit of knowing what's coming, I'm inclined to appreciate the character all the more while we still have her.  With "Warlord," we see Kes finally coming into her own.  She can be more than Neelix's adoring girlfriend or The Doctor's eager assistant or everyone's empathetic pal.  Just as she's finally being given room to grow, we must prepare to say goodbye.

Acting Notes

via Wikipedia

Leigh J. McCloskey (Tieran) was born in Los Angeles, June 21, 1955.  "Warlord" is his first of two Trek appearances.

McCloskey is unusual for the people I have featured in this space in that he is likely more accomplished as a visual artist than as an actor.  His ongoing work The Heiroglyph of the Human Soul is a hand-painted library installation in his own home.

That said, the screen resume is nothing to sneeze at.  He found particular success in soap operas: 248 appearances on Santa Barbara, 46 on Dallas and 32 on The Young and the Restless.  Films include Inferno and Just One of the Guys.

Star Trek: Future's End, Part II

Episode: "Future's End, Part II"

Series: Star Trek: Voyager

Season 3, Episode 9

Original Air Date: November 13, 1996

via Memory Alpha

The story begun in the last episode concludes.  Janeway and company must stop evil tech baron Henry Starling (Ed Begley, Jr.) from going to the 29th century in his timeship to steal more future tech to adapt and sell in his own time.  They must do so without corrupting the timeline and also preventing whatever future disaster Voyager was involved in to set all of this in motion in the first place.  

Confused?  Yeah well, the details are more complicated than the basic idea: cat and mouse game between the Voyager crew and Starling with Rain Robinson (Sarah Silverman) caught in between.  Who?  Rain Robinson is the scientist who first detected Voyager.  Tom Paris and Tuvok have befriended her.  Unfortunately, Starling fears she knows too much and wants to kill her.  

Long story short: all works out, good guys win.  Tom gets to kiss the girl.  Voyager gets sent back to its own timeline - and back to the Delta Quadrant.

One important long-term development: Starling created a mobile emitter for the Doctor which allows the EMH an existence outside of sickbay.  

Acting Notes

via Wikipedia

Thirty years later, Sarah Silverman is a big star, a genuine A-list stand-up comic with a broad and lasting screen career to boot.  In fact, I think it's fair to say that she's had a more successful career since "Future's End" than any of the other actors involved - possibly excepting Begley.  Though I bet Silverman would win a name recognition poll.  In 1996, she was just getting started.

Silverman was born in Concord, New Hampshire, December 1, 1970.  She attended NYU for one year before dropping out to pursue a stand-up career in Greenwich Village.  She got the big break in 1993 when she was hired by Saturday Night Live as a writer and performer.  Unfortunately, it didn't work out.  She was fired after one season.  It set her back emotionally for about a year.  She's been on a pretty good roll ever since.

Her own series, The Sarah Silverman Program, ran for three seasons on Comedy Central.  She's had numerous appearances on high profile shows, including Seinfeld, Monk and Frasier.  She was guest host of The Daily Show for a week in 2023.  She's had two televised stand-up specials.  Films include There's Something About Mary, School of Rock and The Muppets.  Then there's the voice acting career: The Simpsons, Bob's Burgers, Wreck-It Ralph and Ralph Breaks the Internet among others.  She adapted her autobiography, The Bedwetter, into an off-Broadway musical.  She's had eight Emmy nominations, winning twice, and four Grammy nominations.

Seriously, she's everywhere - for over 30 years.

Star Trek: Future's End

Episode: "Future's End"

Series: Star Trek: Voyager

Season 3, Episode 8

Original Air Date: November 6, 1996

via Memory Alpha

Voyager encounters Captain Braxton, a time traveler from the 29th century.  In fact, Braxton, formerly of the Starfleet Temporal Integrity Commission, is trying to destroy the ship in order to avoid the role it is to play in a temporal explosion in his own time.  Man, it's like he's never read a Greek tragedy...

Anyway, both Voyager and Braxton's ship get pulled into the gravitational field from which Braxton came.  It throws them all the way to Earth.  Great news, right?  Except that it's Earth in 1996.  

Star Trek returning to "present day" is well-tread territory for the franchise.  Prior to "Future's End," it had been done in TOS's "Assignment: Earth" and Star Trek IV: The Voyage Home.  There are other stories involving Earth's past but to this point these were the only ones that pinpointed the current time of production.  There is something funny about watching our heroes navigate the, for them, inconveniences of the 20th century.  How handy that because of his hobbies, Tom Paris already knows how to drive a car.

Our villain is Henry Starling.  In 1967, Starling discovered Braxton's crashed ship and has been mining its technology to build his own corporate empire ever since.  The story asserts that this chance encounter accelerated Earth's computer advances at a much greater rate than should have been.  In their effort to set the timeline right, our heroes have to mess with Starling's plans.  He's none too happy about it.

Part 2 in two weeks...

Acting Notes

via Wikipedia

Ed Begley Jr. played Henry Starling.  Begley was born in Los Angeles, September 16, 1949.  His father, Ed Begley Sr., was an Oscar-winning actor himself.  He attended Los Angeles Valley College.

Ed Jr.'s resume is lengthy with literally hundreds of professional credits.  Films include An Officer and a Gentleman, The Accidental Tourist and Batman Forever.  His portrayal of Dr. Victor Ehlrich on St. Elsewhere earned him six consecutive Emmy nominations.  Recurring television credits include Better Call Saul, Young Sheldon and Arrested Development.

Ed Begley, Jr. is the most outspoken environmentalist in Hollywood.  In particular, he is closely associated with electric vehicles.  He and his wife Rachelle Carlson co-hosted a green living show called Living with Ed for three years.

Star Trek: Sacred Ground

Episode: "Sacred Ground"

Series: Star Trek: Voyager

Season 3, Episode 7

Original Air Date: October 30, 1996

via Memory Alpha

Granted shore leave on the Nechani homeworld, a few of the crew indulge in a guided tour of religious sites.  Curious Kes wanders into a cavern where she gets too close to what sure looks like a glowing sacred shrine.  It zaps her.  She is dying.  She and Neelix are beamed directly to sick bay on Voyager.  While the Doctor searches for medical solutions, Janeway and Company press the Nechani for answers.  The Nechani are plenty friendly and apologetic but unfortunately, they don't know how to help Kes either.  Perhaps the monks can help...

"Sacred Ground" starts off on the wrong foot for me.  Sadly, this sort of thing happens in the real world all the time: well-meaning but stupid travelers wander somewhere they're not supposed to, experience terrible mishap, then demand the locals fix it.  Let's not mince words, either.  It's typically white travelers treating the non-white world as their playground, shocked when they have to pay the price for ignoring very sensible warnings from the locals.  At best, it's obnoxious.  At worst, it's colonialist.  As such, I have little sympathy for the Voyager crew in their initial reaction to the predicament.  Sorry, but Kes should have known better.  Her stupidity or, more kindly, naïveté is not the Nechani's fault.

Fortunately, I felt better by the time the real point of the story became clear.  "Sacred Ground" is all about getting over yourself and accepting the fact that not all understanding comes from rational thought.  The episode gets mixed reviews, some saying it's among Voyager's worst.  Others are more charitable.  Despite my early annoyance, I'm inclined towards the latter.

At first, Janeway is all confidence and swagger: no problem, I'll knock out whatever silly tasks they have for me right after I finish my ninth cup of coffee.  But when doing that doesn't get her what she wants, she has to reconsider her own approach.  She must accept that science can't solve everything.  The answer she seeks is in the spiritual world.  She must take a leap of faith.

Yes, there's ultimately a scientific answer but that's not the deeper message here.  I'll admit to being science-first myself but we all know there are plenty of questions in the universe that have yet to be answered by empirical evidence and never will be.  Furthermore, humility often offers a path forward which the arrogant never find.

One more thing: frequent visitors may have noticed that I am always on the look out for connections between Star Trek and Star Wars.  Janeway's initial encounter with her guide was quite similar to Luke's introduction to Yoda, even involving fussing over a light fixture.  Of course, the trope of mistaking a sage - or even God - for an annoying commoner predates both franchises by thousands of years.  Grimm's fairy tales, for instance, offer numerous examples.  

Worth noting, Janeway's default attitude towards someone she did not at first consider worthy of her time did little to endear me to the story in its early stages.

LEGO

Our family Christmas present this year was LEGO's new USS Enterprise NCC 1701-D set along with the free accompanying Shuttlecraft set.  The big set is 3600 pieces and it took us several days.  In total, the two sets include ten NextGen characters - eleven if you count Data's cat, Spot.

Riker's trombone marks the first time the instrument has been included in any LEGO set.

The Enterprise-D crew

Data and Spot

The completed project

Ensign Ro and her shuttlecraft

An away mission to a planet with giant birds

Acting Notes

via Memory Alpha

Becky Ann Baker played the role of Janeway's guide.  Baker was born in Fort Knox, Kentucky, February 17, 1953.  She graduated from Western Kentucky University.

For the more fortunate of my generation at least, Becky Ann Baker is probably best remembered as Jean Weir, mother to Lindsay and Sam, on Freaks and Geeks.  I say fortunate because despite only running for 18 episodes, F&G is considered by quite a lot of us to be one of the best shows in the history of television.  Seriously, do yourself a favor and go watch it now.  Imagine John Hughes movies, only better.  In the United States, it's available on several streaming services, including kanopy which you may be able to access for free through your local library.  Binge it all.  You'll thank me later.

Fortunately, several of the people involved, including producer Judd Apatow and actors Linda Cardellini, James Franco, Seth Rogan and Jason Segel went on to great success after the show was cancelled.  Getting back to Baker...

After F&G, Baker had a recurring role on Girls (also produced by Apatow) which earned her an Emmy nomination.  Guest appearances include L.A. Law, Frasier and Sex and the City.  Films include In & Out, Nights in Rodanthe and Hope Springs.