Series: Star Trek: The Original Series
Season 3, Episode 12
Original Air Date: December 6, 1968
via Memory Alpha |
The Enterprise comes to Minara II to rescue a research team before the system's star goes supernova. The landing team of Kirk, Spock and McCoy can't find the researchers and instead are abducted themselves into a mysterious underground lair. First they meet the silent, yet captivating Gem (so named by the doctor), then the Vians. The Vians know of the impending doom and also know they can only save one race in the system from extinction. They are aware of Gem's psychic powers though they are unsure of her moral integrity. Through a series of torturous abuses, they use our friends to test her willingness to sacrifice herself for the greater good.
The show is weakening. My interest in the individual stories is waning. But there were a few things I enjoyed about this episode. I like Kathryn Hays (Gem) a lot. She never says a word but she moves beautifully - significant dance experience, I imagine. The close up shots of her expressing earnest concern are eye-roll inducing but that's the director's fault, not the actor's. There is also a touching scene as Spock, once again, bends in concern over a dying Dr. McCoy. "You've got a good bedside manner, Spock," says Bones.
*****
via Memory Alpha |
That said, I enjoyed this story - a good old science fiction allegory, in this case against the ever increasing urbanization of society. The natives of Planet Questionmark have lost control of the city building robots they'd created generations before. The machines keep building far beyond the population's needs. As a result, farm space is being squeezed out and the food supply with it. Thankfully, the Enterprise showed up in time to defeat the robots and stave off extinction.
Much as I enjoyed the series on the whole, I could not shake the feeling this was one of those episodes they just made up as they went along. Never watched it again after it first aired. Judging someone's moral integrity through cruelty still seems absurd to me.
ReplyDelete"The Empath" began as an unsolicited script from a fan, Joyce Muskat. Like "Plato's Stepchildren," it was banned in Britain for the torture scenes.
DeleteI remember this one mostly because of Kathryn Hays.
ReplyDeleteThe comic book sound lots better than the show.
Wishing you and your family a wonderful Thanksgiving.
cheers, parsnip
Actually, I'd have to say the comic was better! I wouldn't have said so for the first two issues but for this one, yes.
DeleteHow amazing to not utter a word in an episode, but to still have such presence. Awesome! :) ~Jess
ReplyDeleteShe did a good job. The cameramen did their best to ruin her performance but she persevered.
Delete"You've got a good bedside manner, Spock" is an amazing line
ReplyDeleteFor all of the weaknesses of the third season, McCoy's character development - particularly his relationship with Spock - has been most enjoyable.
DeleteKathryn Hays was wasted on such a weak episode. A gorgeous and elegant woman--what more can be said?
ReplyDeleteExcellent point. My assessment of skilled actors has always depended on whether they could make me love or hate the character they were interpreting. The one time I saw this episode in '68, Kathryn Hays made me love Gem. She deserved a better production.
DeleteI agree with both of you.
DeleteLet's hear it from the easily distracted (me): Is anyone keeping tabs on the number of deathbed scenes per McCoy, Spock and Kirk? If so, who is winning?
ReplyDeleteIt's gotta be Kirk, though I've not kept official stats.
DeleteI like seeing allegories in science fiction so I can make those connections to real life.
ReplyDeleteShe looks like she has an expressive face.
A lot of the best scifi literature is allegorical. It makes sense. What better way to discuss where we are as a species than to predict where we're headed?
Delete