Squid Flicks: Hedwig and the Angry Inch

Title: Hedwig and the Angry Inch

Director: John Cameron Mitchell

Original Release Date: January 2001

My Overall Rating: 5 stars out of 5

via Wikipedia

John Cameron wrote, directed and starred in what I consider to be one of the most under-appreciated films around.  In my mind, I maintain a list of movies I wish more people would see.  Hedwig resides comfortably on that list.

Hedwig Robinson grew up in East Berlin, assigned male at birth.  She fell in love with Luther, an American soldier, who convinced her to get a sex change and marry him as part of a scheme to leave the country.  The operation was botched, leaving Hedwig with... unsatisfactory genitalia, thus the title of the film.

We first join the story as Hedwig, now living in Kansas, is trying to make a living as a rock musician.  Luther is long gone.  Tommy, a more recent lover, has become a star, propped up by songs we all know Hedwig co-wrote with him.  

Those are the basics of a whirlwind story.

We saw the movie at the Vermont International Film Festival's screening room.  I would be remiss if I did not point out what our child helped clarify for me: Hedwig is not a drag queen movie.  While it shares thematic material with Priscilla (last week's movie) and To Wong Foo, it is not of the same genre because Hedwig is not a drag queen.  Botched operation or not, Hedwig is a trans woman and living as such.  The wigs and the boas add to her performance. They are camp but they are not drag.

It's also better than either of those more commercially successful films.  Hedwig is adapted from Mitchell's off-Broadway musical of the same name, music by Stephen Trask.  Mitchell's on-screen performance is fearless and relentless.  The vast majority of the material - the lines, the songs, the camera shots - focuses on the one leading character, far more so than one typically sees in a movie.  The music is wonderful.  I've written about the showstopper, "Wig in a Box," before.  Hedwig was a huge hit at Sundance but disappointed in its mainstream run.  

Hedwig can be difficult to watch.  It's funny, visually dazzling and musically charming.  It's also continually heart wrenching.  What's more, Hedwig is not always a likable person, guilty of mistreating others as she has been mistreated.  Parts of the story can be uncomfortable for a cis man, that healthy kind of uncomfortable we've talked about before (here, for instance).  Lean into that discomfort and it will broaden your world concept.